KLARA SCHNEE - La Halte au soleil





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KLARA SCHNEE – La Halte au soleil, a mixed-media digital print on premium canvas (40 × 60 cm), signed by the artist, original edition from 2026, in excellent condition, depicting a blonde woman in a red coat in a snowy alpine scene, with a certificate of authenticity provided, sold by Galerie Labo Joconde / Atelier Joconde in France.
Description from the seller
KLARA SCHNEE - Mixed media: print in pigment ink, brush-applied varnish by hand, for durable protection of the work.
A blonde woman is leaning against the front of a white convertible stopped in the snow, one brown-gloved hand resting on the wing, face tilted upward and gaze cast far away. She wears a long red coat open over a white twisted-knit turtleneck, ivory pants and light boots; white glasses are pushed into her hair. Wooden skis are strapped to the chrome rack behind the windshield. On the left, wooden chalets and a church steeple in the snow, before a sunlit summit; on the right, pine trees laden with powder under a cobalt sky.
The painting does not show the skiing, but the stop just before: the car is loaded, the village is within reach, and everything rests in this sunlit pause. He does not seek cold or effort; he maintains the calm poise of a vacation poster, where a single red blotch suffices to hold all the snow.
Cobalt blue without a cloud, whites of snow and knit, bright red of the coat, warm browns of the chalets’ woods, gray-blue of the chromes. The figure and the bodywork are painted with a brush, with a clear line and smooth modeled form, while the snow is laid down with a knife in thick, scaly impressions that are traversed by long blue shadows. The foreground and the village rooftops are the areas richest in material, white in full body that catches the light.
Mixed media: print in pigment ink, brush-applied varnish by hand, for the durable protection of the work.
Varnish applied by hand, for the depth of cobalt blues and the durable protection of the work.
Support: premium canvas stretched on a wooden frame, ready to hang.
Format: 40 × 60 cm.
Signed KLARA SCHNEE · Galerie Labo Joconde / Atelier Joconde · certificate of authenticity provided.
KLARA SCHNEE is one of the creations uniting artists Le Yack, Neo Pablo and Popsan within Atelier Joconde, a family studio where three sensibilities coexist: neo-realism, pop and free figuration. The name states the material of the series: Schnee, snow in German, and Klara, clarity — a bright, sunlit snow, never grey. Under this signature, the Studio paints blonde women in twisted-knit pullovers with white glasses in alpine hotel settings: wooden chalets under powdery snow, loaded pines, illuminated peaks, cloudless cobalt sky, and always a red piece that holds the canvas by itself. The lineage is that of the 1950s ski-poster and the American illustrated pin-up, here reinterpreted in painting: a clear drawing and an idealized silhouette on one side, snow laid down with knife in white impastos that catch the light on the other.
Each work is a unique piece.
Instagram @atelierjoconde.
Keywords: KLARA SCHNEE, winter sports, 1950s poster, pin-up, knife snow, red coat, chalet, white convertible, Alps, French contemporary art, Le Yack, Atelier Joconde
Seller's Story
KLARA SCHNEE - Mixed media: print in pigment ink, brush-applied varnish by hand, for durable protection of the work.
A blonde woman is leaning against the front of a white convertible stopped in the snow, one brown-gloved hand resting on the wing, face tilted upward and gaze cast far away. She wears a long red coat open over a white twisted-knit turtleneck, ivory pants and light boots; white glasses are pushed into her hair. Wooden skis are strapped to the chrome rack behind the windshield. On the left, wooden chalets and a church steeple in the snow, before a sunlit summit; on the right, pine trees laden with powder under a cobalt sky.
The painting does not show the skiing, but the stop just before: the car is loaded, the village is within reach, and everything rests in this sunlit pause. He does not seek cold or effort; he maintains the calm poise of a vacation poster, where a single red blotch suffices to hold all the snow.
Cobalt blue without a cloud, whites of snow and knit, bright red of the coat, warm browns of the chalets’ woods, gray-blue of the chromes. The figure and the bodywork are painted with a brush, with a clear line and smooth modeled form, while the snow is laid down with a knife in thick, scaly impressions that are traversed by long blue shadows. The foreground and the village rooftops are the areas richest in material, white in full body that catches the light.
Mixed media: print in pigment ink, brush-applied varnish by hand, for the durable protection of the work.
Varnish applied by hand, for the depth of cobalt blues and the durable protection of the work.
Support: premium canvas stretched on a wooden frame, ready to hang.
Format: 40 × 60 cm.
Signed KLARA SCHNEE · Galerie Labo Joconde / Atelier Joconde · certificate of authenticity provided.
KLARA SCHNEE is one of the creations uniting artists Le Yack, Neo Pablo and Popsan within Atelier Joconde, a family studio where three sensibilities coexist: neo-realism, pop and free figuration. The name states the material of the series: Schnee, snow in German, and Klara, clarity — a bright, sunlit snow, never grey. Under this signature, the Studio paints blonde women in twisted-knit pullovers with white glasses in alpine hotel settings: wooden chalets under powdery snow, loaded pines, illuminated peaks, cloudless cobalt sky, and always a red piece that holds the canvas by itself. The lineage is that of the 1950s ski-poster and the American illustrated pin-up, here reinterpreted in painting: a clear drawing and an idealized silhouette on one side, snow laid down with knife in white impastos that catch the light on the other.
Each work is a unique piece.
Instagram @atelierjoconde.
Keywords: KLARA SCHNEE, winter sports, 1950s poster, pin-up, knife snow, red coat, chalet, white convertible, Alps, French contemporary art, Le Yack, Atelier Joconde

