Rosenthal - O. H. Hajek; Ernst Fuchs; Hildegard Knef - Wall plate (3) - Studio-Line - Porcelain - Art-Plates





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Set of three Rosenthal studio-line Künstlerteller porcelain art plates by Hildegard Knef, Ernst Fuchs and Otto Herbert Hajek, limited to 5,000 per design, each about 26 cm in diameter, dated 1976–1982 with handwritten inscriptions.
Description from the seller
Set of three collectible porcelain art plates from the Rosenthal studio-line Künstlerteller series, created by prominent European artists and issued in limited editions of 5,000 examples.
Each plate transforms fine Rosenthal porcelain into an individual artwork, combining the artist’s characteristic visual language with a handwritten text incorporated into the composition.
The lot consists of:
No. 9 – Hildegard Knef – 1976
An expressive depiction of a horse against a vivid red-orange background, created by the celebrated German actress, singer and artist Hildegard Knef. The composition incorporates Knef’s handwritten, playfully altered German proverb:
“Einem geschenkten Gaul blickt man nicht hinter die Kiemen.”
No. 17 – Ernst Fuchs – 1981
A flowing, visionary composition in intense pink, purple, orange and yellow tones, centred around an eye-like abstract form. Ernst Fuchs was one of the founders of the Vienna School of Fantastic Realism. The plate bears his handwritten statement:
“Kunst, die Versenkung in die Möglichkeit aller Wirklichkeit.”
No. 18 – Otto Herbert Hajek – 1982
A bold geometric abstraction composed of contrasting blue, black, red, orange and white elements. The composition incorporates the inscription:
“Farbwege durchdringen das Leben.”
Manufacturer: Rosenthal studio-line
Series: Künstlerteller / Limited Art Series
Artists: Hildegard Knef, Ernst Fuchs & Otto Herbert Hajek
Country of origin: Germany
Years: 1976, 1981 & 1982
Material: Porcelain
Edition: Limited to 5,000 examples per design
Number of objects: 3
Diameter: approximately 26 cm each
Two of the three plates are accompanied by their original Rosenthal boxes.
A distinctive group of Rosenthal studio-line artist editions, bringing together three very different approaches to post-war European art: figurative expression, Fantastic Realism and geometric abstraction.
Please refer carefully to the photographs for the condition, individual edition markings, artists’ inscriptions and original boxes.
Set of three collectible porcelain art plates from the Rosenthal studio-line Künstlerteller series, created by prominent European artists and issued in limited editions of 5,000 examples.
Each plate transforms fine Rosenthal porcelain into an individual artwork, combining the artist’s characteristic visual language with a handwritten text incorporated into the composition.
The lot consists of:
No. 9 – Hildegard Knef – 1976
An expressive depiction of a horse against a vivid red-orange background, created by the celebrated German actress, singer and artist Hildegard Knef. The composition incorporates Knef’s handwritten, playfully altered German proverb:
“Einem geschenkten Gaul blickt man nicht hinter die Kiemen.”
No. 17 – Ernst Fuchs – 1981
A flowing, visionary composition in intense pink, purple, orange and yellow tones, centred around an eye-like abstract form. Ernst Fuchs was one of the founders of the Vienna School of Fantastic Realism. The plate bears his handwritten statement:
“Kunst, die Versenkung in die Möglichkeit aller Wirklichkeit.”
No. 18 – Otto Herbert Hajek – 1982
A bold geometric abstraction composed of contrasting blue, black, red, orange and white elements. The composition incorporates the inscription:
“Farbwege durchdringen das Leben.”
Manufacturer: Rosenthal studio-line
Series: Künstlerteller / Limited Art Series
Artists: Hildegard Knef, Ernst Fuchs & Otto Herbert Hajek
Country of origin: Germany
Years: 1976, 1981 & 1982
Material: Porcelain
Edition: Limited to 5,000 examples per design
Number of objects: 3
Diameter: approximately 26 cm each
Two of the three plates are accompanied by their original Rosenthal boxes.
A distinctive group of Rosenthal studio-line artist editions, bringing together three very different approaches to post-war European art: figurative expression, Fantastic Realism and geometric abstraction.
Please refer carefully to the photographs for the condition, individual edition markings, artists’ inscriptions and original boxes.

