École française (XVIII) - Le jardin secret

10
days
04
hours
04
minutes
57
seconds
Current bid
€ 300
Reserve price not met
Caroline Bokobza
Expert
Selected by Caroline Bokobza

Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.

Estimate  € 1,400 - € 1,700
AT
€300
PT
€1

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Description from the seller

Pictura Subastas presents this magnificent work of art belonging to the 18th-century French school, depicting three small child-like beings exploring flowers and plants among ancient ruins, as a symbol of innocence, renewal, and the continuity of life. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions with frame: 65.5x98.5x4 cm.
· Dimensions without frame: 60x92 cm.
· Oil on canvas, re-stretched.
· The piece is in good conservation condition.
· The work is sold with a precious frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included form an integral part of the lot description. Digital representation in an indicative mockup; there may be differences with the actual article in color, scale, and details.

The painting will be professionally packaged by IVEX (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transportation itself.
Shipping will be carried out by Correos, GLS, or NACEX with tracking. International shipping available.

------------------------------------------------------------------

This painting presents an allegorical scene featuring three small child-like beings who play and rest among plants, flowers, fabrics, and ancient architectural structures. The figures are concentrated in the lower left and central areas, while the landscape opens to the right under a broad sky covered by clouds. The combination of childhood, nature, and ruins builds a poetic image in which innocence and vitality contrast with the antiquity of the stones. The entire scene is wrapped in a silent, mysterious, and delicately melancholic atmosphere.

The first figure appears seated in an elevated position, resting on an ochre-toned cloth. Their body tilts slightly to one side and their head turns toward the small flowers growing beside them. The face shows a calm and dreamy expression, as if contemplating with curiosity what lies before them. Their curly hair frames the face and adds tenderness to their presence.

Next to this figure rises a branch covered with small white and pink flowers. The flowers stand out against the darkness of the background and form a delicate vertical line that accompanies the figure. Some seem fully open, while others are small buds. Their fragility contrasts with the solid architecture behind.

The seated figure keeps their arms folded near the chest, in a serene and slightly protective posture. One leg is bent while the other extends toward the center. This arrangement creates a smooth curve that directs the gaze to the other figures. Their attitude conveys rest, innocence, and contemplation.

In the bottom center appears a second character reclined among leaves and fabrics. Their body is oriented horizontally and the head tilts downward, as if examining some plant or small object. The dark curls partly cover their face and reinforce the focal gesture. Their posture is natural and relaxed, almost as if they had paused during a game.

This second figure extends one arm toward the central vegetation. Their fingers seem to brush a leaf or branch, establishing direct contact with nature. The other arm remains partially hidden by the body and nearby folds. The figure adds a gentle movement to the lower area and visually connects the left-hand group with the figure on the right.

Below this figure extends a blue-green fabric that forms several wide, dark folds. The fabric winds between the bodies and the vegetation, bringing chromatic freshness to a scene dominated by browns, greens, and ochres. Its undulating movement follows the curves of the figures. It also serves as a unifying element among the different characters.

To the right is the third character, seated or kneeling beside a large mass of leaves. Their body leans forward and their hands seem to grasp a branch. The gaze is directed toward the vegetation, showing the same calm curiosity that characterizes the rest of the group. Their compact posture conveys concentration and serenity.

Behind this figure unfolds a broad reddish cloth that falls to the ground, forming numerous folds. The subdued red contrasts with the greens and the pale skin of the figure. The fabric frames their silhouette and helps separate them from the dark background. Its presence brings warmth and makes the right side a significant visual counterpoint.

The central plants occupy a crucial place within the composition. Their large, elongated leaves extend in different directions, forming a vegetal barrier between the figures. The greens range from pale and grayish tones to deep nearly-black hues. This richness creates volume and reinforces the sense of a lush natural corner.

Among the leaves there are small flowers, buds, and stems that add delicacy. The vegetation seems to attract the attention of the three characters, becoming the center of their game or discovery. No figure looks at the viewer, as they are all immersed in the small natural world they share. This attitude increases the scene's intimacy.

In the upper left, a large structure of ancient appearance rises. A solid pedestal is crowned by a large vessel or urn. Its brown, gray, and ochre tones convey solidity and antiquity. The architecture acts as a monumental frame for the small figures.

The urn on top of the pedestal has a rounded, heavy shape. Its surface receives some clear reflections that reveal its volume. Although partly enveloped in shadows, its silhouette dominates the upper left. This object introduces a reference to a noble garden, an ancient villa, or an abandoned ceremonial space.

Behind the figures appear large blocks of stone, broken walls, and forms recalling steps or architectural remnants. Some structures tilt and seem to have been overtaken by vegetation. The stones display grays, browns, and greenish tones that integrate them with the landscape. Their condition suggests the passage of time and the transformation of a place once monumental.

The contrast between ruins and child figures bears a strong symbolic charge. The stones represent permanence, memory, and the past, while the small characters embody beginning, vitality, and renewal. Nature grows between these two worlds, uniting the old with the new. The scene can be understood as a reflection on the continuous cycle of life.

In the far right background, a broader and brighter landscape opens up. Some rocks silhouette against the sky, while trees and dark shrubs occupy the lower area. The forms become softer as they recede, creating a sense of depth. This opening allows the scene to breathe beyond the principal group.

The sky is formed by bluish, greenish, and grayish tones. Large clouds stretch in the distance and let through a soft light that illuminates the landscape. The atmosphere seems humid and slightly misty. There is no intense light, but a diffused illumination that favors the contemplative character.

The lower area presents irregular terrain covered with earth, grass, and small plants. The ochres and greens form a visual path that extends to the right. Some deep shadows appear near the figures, while the ground lightens in the central part. This change helps to situate the characters and relate them to the space.

The composition concentrates most elements in the left half, leaving a more open space on the right. This balance between density and emptiness is particularly expressive. The figures, flowers, fabrics, and ruins form an intimate core, while the exterior landscape provides distance and silence. The gaze swings between the little game of the characters and the vastness of the surroundings.

The absence of adults makes the scene a wholly childlike world. The three characters seem to inhabit a secret garden where they can freely explore the plants. Their calm gestures do not convey danger or worry, but curiosity and harmony. The scene celebrates the wonderment characteristic of childhood.

The flowers can be interpreted as symbols of beauty, fragility, and renewal. The small beings observe and touch them as if discovering natural life for the first time. In front of the ancient stones, these plants represent what grows again. Nature appears as a force capable of reviving abandoned places.

The chromatic combination reinforces the painting's poetic character. The greens and browns connect the scene with the earth; the light tones of the bodies bring light; the blue of the fabric introduces serenity; and the red offers warmth. The bluish-gray sky envelops all these colors within a common atmosphere. No element seems completely isolated from the others.

In sum, the work represents three small child-like beings who play and discover flowers and plants among ancient ruins, fabrics, and a silent landscape. The delicacy of their gestures contrasts with the solidity of the architecture and the melancholy of the sky, creating an allegory about innocence, renewal, and the passage of time. The painting conveys tenderness and serenity, showing how life and nature continue to flourish even among the vestiges of the past.

Seller's Story

We are Pictura Auctions and our mission is to provide an online space where art lovers, collectors and enthusiasts can immerse themselves in a wide repertoire of masterpieces, from the most revolutionary avant-garde to classic jewels that have stood the test of time. Our team of expert curators has carefully assembled a diverse and exciting collection, selecting the most significant and moving pieces from different eras and cultures.
Translated by Google Translate

Pictura Subastas presents this magnificent work of art belonging to the 18th-century French school, depicting three small child-like beings exploring flowers and plants among ancient ruins, as a symbol of innocence, renewal, and the continuity of life. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions with frame: 65.5x98.5x4 cm.
· Dimensions without frame: 60x92 cm.
· Oil on canvas, re-stretched.
· The piece is in good conservation condition.
· The work is sold with a precious frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included form an integral part of the lot description. Digital representation in an indicative mockup; there may be differences with the actual article in color, scale, and details.

The painting will be professionally packaged by IVEX (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transportation itself.
Shipping will be carried out by Correos, GLS, or NACEX with tracking. International shipping available.

------------------------------------------------------------------

This painting presents an allegorical scene featuring three small child-like beings who play and rest among plants, flowers, fabrics, and ancient architectural structures. The figures are concentrated in the lower left and central areas, while the landscape opens to the right under a broad sky covered by clouds. The combination of childhood, nature, and ruins builds a poetic image in which innocence and vitality contrast with the antiquity of the stones. The entire scene is wrapped in a silent, mysterious, and delicately melancholic atmosphere.

The first figure appears seated in an elevated position, resting on an ochre-toned cloth. Their body tilts slightly to one side and their head turns toward the small flowers growing beside them. The face shows a calm and dreamy expression, as if contemplating with curiosity what lies before them. Their curly hair frames the face and adds tenderness to their presence.

Next to this figure rises a branch covered with small white and pink flowers. The flowers stand out against the darkness of the background and form a delicate vertical line that accompanies the figure. Some seem fully open, while others are small buds. Their fragility contrasts with the solid architecture behind.

The seated figure keeps their arms folded near the chest, in a serene and slightly protective posture. One leg is bent while the other extends toward the center. This arrangement creates a smooth curve that directs the gaze to the other figures. Their attitude conveys rest, innocence, and contemplation.

In the bottom center appears a second character reclined among leaves and fabrics. Their body is oriented horizontally and the head tilts downward, as if examining some plant or small object. The dark curls partly cover their face and reinforce the focal gesture. Their posture is natural and relaxed, almost as if they had paused during a game.

This second figure extends one arm toward the central vegetation. Their fingers seem to brush a leaf or branch, establishing direct contact with nature. The other arm remains partially hidden by the body and nearby folds. The figure adds a gentle movement to the lower area and visually connects the left-hand group with the figure on the right.

Below this figure extends a blue-green fabric that forms several wide, dark folds. The fabric winds between the bodies and the vegetation, bringing chromatic freshness to a scene dominated by browns, greens, and ochres. Its undulating movement follows the curves of the figures. It also serves as a unifying element among the different characters.

To the right is the third character, seated or kneeling beside a large mass of leaves. Their body leans forward and their hands seem to grasp a branch. The gaze is directed toward the vegetation, showing the same calm curiosity that characterizes the rest of the group. Their compact posture conveys concentration and serenity.

Behind this figure unfolds a broad reddish cloth that falls to the ground, forming numerous folds. The subdued red contrasts with the greens and the pale skin of the figure. The fabric frames their silhouette and helps separate them from the dark background. Its presence brings warmth and makes the right side a significant visual counterpoint.

The central plants occupy a crucial place within the composition. Their large, elongated leaves extend in different directions, forming a vegetal barrier between the figures. The greens range from pale and grayish tones to deep nearly-black hues. This richness creates volume and reinforces the sense of a lush natural corner.

Among the leaves there are small flowers, buds, and stems that add delicacy. The vegetation seems to attract the attention of the three characters, becoming the center of their game or discovery. No figure looks at the viewer, as they are all immersed in the small natural world they share. This attitude increases the scene's intimacy.

In the upper left, a large structure of ancient appearance rises. A solid pedestal is crowned by a large vessel or urn. Its brown, gray, and ochre tones convey solidity and antiquity. The architecture acts as a monumental frame for the small figures.

The urn on top of the pedestal has a rounded, heavy shape. Its surface receives some clear reflections that reveal its volume. Although partly enveloped in shadows, its silhouette dominates the upper left. This object introduces a reference to a noble garden, an ancient villa, or an abandoned ceremonial space.

Behind the figures appear large blocks of stone, broken walls, and forms recalling steps or architectural remnants. Some structures tilt and seem to have been overtaken by vegetation. The stones display grays, browns, and greenish tones that integrate them with the landscape. Their condition suggests the passage of time and the transformation of a place once monumental.

The contrast between ruins and child figures bears a strong symbolic charge. The stones represent permanence, memory, and the past, while the small characters embody beginning, vitality, and renewal. Nature grows between these two worlds, uniting the old with the new. The scene can be understood as a reflection on the continuous cycle of life.

In the far right background, a broader and brighter landscape opens up. Some rocks silhouette against the sky, while trees and dark shrubs occupy the lower area. The forms become softer as they recede, creating a sense of depth. This opening allows the scene to breathe beyond the principal group.

The sky is formed by bluish, greenish, and grayish tones. Large clouds stretch in the distance and let through a soft light that illuminates the landscape. The atmosphere seems humid and slightly misty. There is no intense light, but a diffused illumination that favors the contemplative character.

The lower area presents irregular terrain covered with earth, grass, and small plants. The ochres and greens form a visual path that extends to the right. Some deep shadows appear near the figures, while the ground lightens in the central part. This change helps to situate the characters and relate them to the space.

The composition concentrates most elements in the left half, leaving a more open space on the right. This balance between density and emptiness is particularly expressive. The figures, flowers, fabrics, and ruins form an intimate core, while the exterior landscape provides distance and silence. The gaze swings between the little game of the characters and the vastness of the surroundings.

The absence of adults makes the scene a wholly childlike world. The three characters seem to inhabit a secret garden where they can freely explore the plants. Their calm gestures do not convey danger or worry, but curiosity and harmony. The scene celebrates the wonderment characteristic of childhood.

The flowers can be interpreted as symbols of beauty, fragility, and renewal. The small beings observe and touch them as if discovering natural life for the first time. In front of the ancient stones, these plants represent what grows again. Nature appears as a force capable of reviving abandoned places.

The chromatic combination reinforces the painting's poetic character. The greens and browns connect the scene with the earth; the light tones of the bodies bring light; the blue of the fabric introduces serenity; and the red offers warmth. The bluish-gray sky envelops all these colors within a common atmosphere. No element seems completely isolated from the others.

In sum, the work represents three small child-like beings who play and discover flowers and plants among ancient ruins, fabrics, and a silent landscape. The delicacy of their gestures contrasts with the solidity of the architecture and the melancholy of the sky, creating an allegory about innocence, renewal, and the passage of time. The painting conveys tenderness and serenity, showing how life and nature continue to flourish even among the vestiges of the past.

Seller's Story

We are Pictura Auctions and our mission is to provide an online space where art lovers, collectors and enthusiasts can immerse themselves in a wide repertoire of masterpieces, from the most revolutionary avant-garde to classic jewels that have stood the test of time. Our team of expert curators has carefully assembled a diverse and exciting collection, selecting the most significant and moving pieces from different eras and cultures.
Translated by Google Translate

Details

Artist
École française (XVIII)
Sold with frame
Yes
Sold by
Gallery
Title of artwork
Le jardin secret
Technique
Oil painting
Signature
Hand signed
Country of origin
France
Condition
Good condition
Height
65.5 cm
Width
98.5 cm
Style
Renaissance
Period
18th century
SpainVerified
2642
Objects sold
100%
protop

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