Lucía Laurent - XL - Danza Carmín






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
€60 |
|---|
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 141948 reviews
Rated Excellent on Trustpilot.
Lucía Laurent - XL presents Danza Carmín, an original acrylic painting on canvas (120 x 90 cm) signed by hand, created in Spain after 2020.
Description from the seller
Lucía Lauren (LILI) is a Cuban artist with essentially self-taught formal training, graduated in Social Communication from the University of Havana.
Her relationship with image began long before she began painting professionally. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture and the representation of the human figure. Subsequently she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that the line, the silhouette, the simplification of forms, and graphic clarity acquire in her current painting.
Finally she found in the plastic arts a much broader space of expression. Painting allowed her to bring together those earlier experiences and transform them into an intimate and recognizable universe, mainly constructed with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with the cat appearing recurrently as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to retain only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet rich with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensitivity, warmer, ordinary, and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She does not appear as a heroic or distant character, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, pausing poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost blend, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds to the point of blurring the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming one sensitivity.
In works such as the embracing figure with the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the whole scene on the embrace gesture. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman sitting beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without seeming cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes a large part of the charm of the work.
Thus, Lucía Lauren develops an apparently simple but carefully constructed painting. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.
Her universe is feminine, botanical, domestic, and affective. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings have a quality that is especially attractive: they may seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent created in the technique Acrylic on high-quality professional canvas.
Dimension of the 90 x 120 cm painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS), for Spain and Europe, and via FedEx for the rest of the world.
The work will be shipped rolled and protected by several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Please refer to the original photographs to verify the actual condition of the work.”
This work in acrylic on canvas presents a stylized ballet dancer in full movement, created under a marked modernist aesthetic influenced by Art Déco and contemporary illustration. The figure stands out for the fluidity of its posture and the dynamism of its dress in tones of crimson, pink, and white, whose curved lines spiral outward to harmoniously fuse with the flat background divided into color blocks of red, mustard, indigo blue, and gray. Defined by clean and precise contours, the composition achieves an exceptional balance between the strength of color and the elegance of the classical gesture, conveying an atmosphere of lightness, passion, rhythm, and scenic virtuosity.
Lucía Lauren (LILI) is a Cuban artist with essentially self-taught formal training, graduated in Social Communication from the University of Havana.
Her relationship with image began long before she began painting professionally. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture and the representation of the human figure. Subsequently she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that the line, the silhouette, the simplification of forms, and graphic clarity acquire in her current painting.
Finally she found in the plastic arts a much broader space of expression. Painting allowed her to bring together those earlier experiences and transform them into an intimate and recognizable universe, mainly constructed with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with the cat appearing recurrently as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to retain only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet rich with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensitivity, warmer, ordinary, and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She does not appear as a heroic or distant character, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, pausing poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost blend, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds to the point of blurring the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming one sensitivity.
In works such as the embracing figure with the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the whole scene on the embrace gesture. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman sitting beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without seeming cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes a large part of the charm of the work.
Thus, Lucía Lauren develops an apparently simple but carefully constructed painting. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.
Her universe is feminine, botanical, domestic, and affective. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings have a quality that is especially attractive: they may seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent created in the technique Acrylic on high-quality professional canvas.
Dimension of the 90 x 120 cm painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS), for Spain and Europe, and via FedEx for the rest of the world.
The work will be shipped rolled and protected by several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Please refer to the original photographs to verify the actual condition of the work.”
This work in acrylic on canvas presents a stylized ballet dancer in full movement, created under a marked modernist aesthetic influenced by Art Déco and contemporary illustration. The figure stands out for the fluidity of its posture and the dynamism of its dress in tones of crimson, pink, and white, whose curved lines spiral outward to harmoniously fuse with the flat background divided into color blocks of red, mustard, indigo blue, and gray. Defined by clean and precise contours, the composition achieves an exceptional balance between the strength of color and the elegance of the classical gesture, conveying an atmosphere of lightness, passion, rhythm, and scenic virtuosity.
