Lucía Laurent - XL - Círculo de Afectos





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Lucía Laurent - XL presents Círculo de Afectos, an original acrylic on canvas work dating from after 2020, 120 cm high by 90 cm wide, multicolour, hand-signed, created in Spain and sold directly by the artist.
Description from the seller
Lucía Lauren (LILI) is a Cuban artist with a primarily self-taught plastic formation, graduated in Social Communication from the University of Havana.
Her relation with images began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity toward composition, visual balance, gesture, and the representation of the human figure. Subsequently, she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Ultimately she found in the plastic arts a space of expression that was much broader. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, built mainly with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting begins from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined outlines, and flat forms build images that are immediately legible, yet charged with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility, warmer, more everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones share space with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of practically her entire artistic universe. She is not portrayed as a heroic or distant figure, but from a calm, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play a particularly interesting role. More than simple decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where a woman and animal embrace, the curves of the human body and the shapes of the cat almost merge, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or are integrated into the backgrounds to the point of sometimes blurring the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat against a red background, Lucía drastically reduces the palette to build the image through the contrast of black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman seated beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus, Lucía Lauren develops apparently simple painting but carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.
Her universe is feminine, botanical, domestic, and affective. In it appear everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they may look decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that a large part of the personality of her work resides.
Artwork by the artist Lucía Laurent made in Acrylic on high-quality professional canvas.
Dimensions: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world. The piece will be shipped rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Three days are required after payment for the packaging process and delivery to the shipping company. The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please consult the original photographs to verify the actual condition of the work.”
This acrylic-on-canvas work exhibits a sophisticated figurative composition of three intertwined figures, created under a marked modernist aesthetic with clear influences from Art Deco and synthetic cubism. The scene articulates the anatomy of the figures through clean, stylized black outlines, which harmoniously contrast with a palette of flat color blocks where the intense red, cobalt blue, golden ochre, black, and neutral skin tones stand out. The expressive, serene gazes of the characters, combined with the enveloping rhythm of the abstract background with circular elements, convey an atmosphere of deep intimacy, elegance, complicity, and aesthetic balance.
Lucía Lauren (LILI) is a Cuban artist with a primarily self-taught plastic formation, graduated in Social Communication from the University of Havana.
Her relation with images began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity toward composition, visual balance, gesture, and the representation of the human figure. Subsequently, she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Ultimately she found in the plastic arts a space of expression that was much broader. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, built mainly with acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting begins from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined outlines, and flat forms build images that are immediately legible, yet charged with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility, warmer, more everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones share space with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of practically her entire artistic universe. She is not portrayed as a heroic or distant figure, but from a calm, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play a particularly interesting role. More than simple decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where a woman and animal embrace, the curves of the human body and the shapes of the cat almost merge, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or are integrated into the backgrounds to the point of sometimes blurring the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat against a red background, Lucía drastically reduces the palette to build the image through the contrast of black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman seated beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus, Lucía Lauren develops apparently simple painting but carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.
Her universe is feminine, botanical, domestic, and affective. In it appear everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they may look decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that a large part of the personality of her work resides.
Artwork by the artist Lucía Laurent made in Acrylic on high-quality professional canvas.
Dimensions: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world. The piece will be shipped rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Three days are required after payment for the packaging process and delivery to the shipping company. The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please consult the original photographs to verify the actual condition of the work.”
This acrylic-on-canvas work exhibits a sophisticated figurative composition of three intertwined figures, created under a marked modernist aesthetic with clear influences from Art Deco and synthetic cubism. The scene articulates the anatomy of the figures through clean, stylized black outlines, which harmoniously contrast with a palette of flat color blocks where the intense red, cobalt blue, golden ochre, black, and neutral skin tones stand out. The expressive, serene gazes of the characters, combined with the enveloping rhythm of the abstract background with circular elements, convey an atmosphere of deep intimacy, elegance, complicity, and aesthetic balance.

