Lucía Laurent - XL - Tres Almas

Lucía Lauren (LILI) is a Cuban artist with essentially self-taught plastic formation, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity toward composition, visual balance, gesture, and the representation of the human figure. Later she spent several years in the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Finally, she found in the plastic arts a much wider space of expression. Painting allowed her to bring together those earlier experiences and transform them into an intimate and recognizable universe, built primarily with acrylic on canvas.

Lucía Lauren’s work centers especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting begins from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined outlines, and flat shapes build immediately legible images, yet full of sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensitivity, warmer, more everyday and feminine.

One of the most interesting aspects of her work is the use of color. Dusty pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast gains a clearly graphic intensity.

The woman occupies the center of almost her entire pictorial universe. She is not presented as a heroic or distant character, but from a calm, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.

Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.

Flowers and vegetation perform a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds until the border between figure and nature sometimes dissolves. Thus, woman, nature, and the animal world end up forming one sensitivity.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the embrace gesture. The result conveys protection, intimacy, and silence.

In other pieces, like the woman sitting beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image that does not feel cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of melodrama constitutes a large part of the charm of the work.

Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary panorama where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.

Artwork by the artist Lucía Laurent made in Acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be mailed rolled and will be protected by several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
"This lot contains AI-generated visualizations. Please check the original photographs to verify the actual condition of the work."


"Tres Almas" is a contemporary figurative acrylic on canvas work characterized by a stylized composition, defined lines, and a color palette with strong visual impact. The three female figures, depicted through curved shapes and blocks of color in terracotta, black, blue, pink, and ivory tones, establish a visual dialogue based on contrast and complementarity. The arrangement of the bodies conveys closeness, trust, and a sense of silent unity, while the diversity of tones can be interpreted as a celebration of feminine identity and plurality. The artist seems to seek a purified representation of the human figure, moving away from realism to transform the body, color, and geometry into vehicles of emotional expression.