António da Costa Viegas (Lisboa c.1880) - Portrait d’un officier portugais - NO RESERVE

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Current bid
€ 102
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Caroline Bokobza
Expert
Selected by Caroline Bokobza

Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.

Estimate  € 500 - € 600
IT
€102
AT
€97
IT
€92

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Portrait d’un officier portugais - NO RESERVE, oil on canvas, Portugal, 19th century, signed, sold with frame.

AI-assisted summary

Description from the seller

António da Costa Viegas — Portrait of a Portuguese military officer

Portuguese School, last quarter of the 19th century
Oil on canvas. Signed

Interesting Portuguese military portrait from the last quarter of the 19th century, a work signed by António da Costa Viegas, an artist whose activity can be documented in Lisbon during this period.

The historical documentation preserved in Portugal allows identifying António da Costa Viegas as a drawing professor at the Instituto Geral d'Agricultura of Lisbon. In an official document from the Procuradoria-Geral da República, dated August 4, 1876, he is explicitly mentioned as “Professor de dezenho do Instituto Geral d'Agricultura, Antonio da Costa Viegas.” His name also appears as “Professor de Desenho” of the Instituto Agrícola de Lisboa in contemporary official publications.

This documentation is especially interesting for contextualizing the present painting, whose craft and material characteristics are fully compatible with an execution in the last quarter of the 19th century, precisely the period in which Costa Viegas is professionally documented.

The work portrays a high-ranking officer or Portuguese military dignitary, half-length and strictly facing forward, dressed in full ceremonial uniform. Notable are the gold shoulder boards, the sash crossing the chest diagonally, and the various insignia and decorations, elements that confer a strong institutional dimension to the character.

Particularly striking is the large star-shaped insignia placed on the chest, meticulously rendered by the artist. The treatment of the military attributes does not seem merely decorative: it reflects the language characteristic of the official 19th-century portrait, in which uniform, orders, and decorations served to express the subject's rank, merits, and social position.

Costa Viegas concentrates, however, the main interest of the composition in the face. The head stands out with blunt clarity against a neutral greenish background, avoiding architectural or landscape elements that could distract attention. A smooth forehead, frontal gaze, and especially the long mustache and gray beard are depicted individually, distancing the image from a generic military representation.

Thus the composition adheres to the Portuguese official portrait tradition of the second half of the 19th century, still linked to academic models: defined drawing, precise construction of features, solemn posture, and special attention to the identifying attributes of the person portrayed.

The fact that António da Costa Viegas is documented professionally as a drawing teacher at a Lisbon institution adds especially relevant context to the work. The 1876 file preserved in the Arquivo Histórico do Ministério Público confirms unequivocally his teaching activity at the Instituto Geral d'Agricultura.

Technique and conservation

Oil on canvas, currently presented on a board that acts only as a support. The canvas is not adhered or glued to the board, but simply laid on it and held in position by the framing system.

The work is preserved in a state consistent with its age, showing wear, folds, deformations, craquelure, small losses, and various surface alterations clearly visible in the photographs.

Due to these circumstances, professional conservation intervention would be advisable. Stabilization and proper presentation of the canvas, together with cleaning and consolidation as determined by a restorer, could considerably improve both its future conservation and its aesthetic reading.

The painting is sold in its current state, and the photographs are an essential part of the description.

Signed on the left side: António da Costa Viegas.

The frame appearing in the photographs is included as a gift, not an integral part of the work and, therefore, without commercial value. Any damage to the frame during transport will not be considered grounds for complaint.

Shipping will be carried out with professional packing appropriate to the work's characteristics.

IMPORTANT: shipments to island territories, extrapeninsular territories, or countries/regions subject to customs procedures may incur additional transportation, handling, or customs charges. These potential costs will be borne by the buyer.

Seller's Story

At ARTEMISA we specialize in the selection and auction of artworks, antiques, and collectible items, combining experience, passion, and special care in the choosing and presentation of each piece. Throughout our journey we have assembled a catalog of more than 10,000 works, spanning a wide variety of schools, styles, and periods, with particular attention to painting and European art. The pieces mainly come from private collections and other selected sources, which allows us to maintain a broad, diverse, and continually renewing offering. Each work is studied and presented with the aim of providing the collector with rigorous and transparent information, paying special attention to its cataloging, condition, and artistic context. We work for both seasoned collectors and those who are just beginning to discover the world of art, offering—from accessible works to pieces of special historical, artistic, or decorative interest. At ARTEMISA we understand each auction as an opportunity to discover, conserve, and give new life to works with history, connecting them with collectors around the world.
Translated by Google Translate

António da Costa Viegas — Portrait of a Portuguese military officer

Portuguese School, last quarter of the 19th century
Oil on canvas. Signed

Interesting Portuguese military portrait from the last quarter of the 19th century, a work signed by António da Costa Viegas, an artist whose activity can be documented in Lisbon during this period.

The historical documentation preserved in Portugal allows identifying António da Costa Viegas as a drawing professor at the Instituto Geral d'Agricultura of Lisbon. In an official document from the Procuradoria-Geral da República, dated August 4, 1876, he is explicitly mentioned as “Professor de dezenho do Instituto Geral d'Agricultura, Antonio da Costa Viegas.” His name also appears as “Professor de Desenho” of the Instituto Agrícola de Lisboa in contemporary official publications.

This documentation is especially interesting for contextualizing the present painting, whose craft and material characteristics are fully compatible with an execution in the last quarter of the 19th century, precisely the period in which Costa Viegas is professionally documented.

The work portrays a high-ranking officer or Portuguese military dignitary, half-length and strictly facing forward, dressed in full ceremonial uniform. Notable are the gold shoulder boards, the sash crossing the chest diagonally, and the various insignia and decorations, elements that confer a strong institutional dimension to the character.

Particularly striking is the large star-shaped insignia placed on the chest, meticulously rendered by the artist. The treatment of the military attributes does not seem merely decorative: it reflects the language characteristic of the official 19th-century portrait, in which uniform, orders, and decorations served to express the subject's rank, merits, and social position.

Costa Viegas concentrates, however, the main interest of the composition in the face. The head stands out with blunt clarity against a neutral greenish background, avoiding architectural or landscape elements that could distract attention. A smooth forehead, frontal gaze, and especially the long mustache and gray beard are depicted individually, distancing the image from a generic military representation.

Thus the composition adheres to the Portuguese official portrait tradition of the second half of the 19th century, still linked to academic models: defined drawing, precise construction of features, solemn posture, and special attention to the identifying attributes of the person portrayed.

The fact that António da Costa Viegas is documented professionally as a drawing teacher at a Lisbon institution adds especially relevant context to the work. The 1876 file preserved in the Arquivo Histórico do Ministério Público confirms unequivocally his teaching activity at the Instituto Geral d'Agricultura.

Technique and conservation

Oil on canvas, currently presented on a board that acts only as a support. The canvas is not adhered or glued to the board, but simply laid on it and held in position by the framing system.

The work is preserved in a state consistent with its age, showing wear, folds, deformations, craquelure, small losses, and various surface alterations clearly visible in the photographs.

Due to these circumstances, professional conservation intervention would be advisable. Stabilization and proper presentation of the canvas, together with cleaning and consolidation as determined by a restorer, could considerably improve both its future conservation and its aesthetic reading.

The painting is sold in its current state, and the photographs are an essential part of the description.

Signed on the left side: António da Costa Viegas.

The frame appearing in the photographs is included as a gift, not an integral part of the work and, therefore, without commercial value. Any damage to the frame during transport will not be considered grounds for complaint.

Shipping will be carried out with professional packing appropriate to the work's characteristics.

IMPORTANT: shipments to island territories, extrapeninsular territories, or countries/regions subject to customs procedures may incur additional transportation, handling, or customs charges. These potential costs will be borne by the buyer.

Seller's Story

At ARTEMISA we specialize in the selection and auction of artworks, antiques, and collectible items, combining experience, passion, and special care in the choosing and presentation of each piece. Throughout our journey we have assembled a catalog of more than 10,000 works, spanning a wide variety of schools, styles, and periods, with particular attention to painting and European art. The pieces mainly come from private collections and other selected sources, which allows us to maintain a broad, diverse, and continually renewing offering. Each work is studied and presented with the aim of providing the collector with rigorous and transparent information, paying special attention to its cataloging, condition, and artistic context. We work for both seasoned collectors and those who are just beginning to discover the world of art, offering—from accessible works to pieces of special historical, artistic, or decorative interest. At ARTEMISA we understand each auction as an opportunity to discover, conserve, and give new life to works with history, connecting them with collectors around the world.
Translated by Google Translate

Details

Artist
António da Costa Viegas (Lisboa c.1880)
Sold with frame
Yes
Sold by
Gallery
Title of artwork
Portrait d’un officier portugais - NO RESERVE
Technique
Oil painting
Signature
Signed
Country of origin
Portugal
Condition
Needs restoration
Height
68 cm
Width
55 cm
Depiction/theme
Portrait
Period
19th century
SpainVerified
2019
Objects sold
100%
protop

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