Romy van Rijckevorsel - Icoon nr. 1






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Icoon nr. 1 is a 2024 original work from the Netherlands by a Dutch artist, created with mixed media and acrylic painting, hand-signed, with a religious theme, measuring 42 cm by 30 cm and weighing 500 g, sold directly from the artist.
Description from the seller
Romy van Rijckevorsel (Drunen, 1967) is a Dutch artist, living and working in Vlijmen since 2002. After a long period as a portrait painter, she graduated in 2017 from the Academy of Fine Arts in Arendonk with a degree in Painting. Since then, she has been working as an independent, self-employed artist. Her work is part of collections both in the Netherlands and abroad.
Van Rijckevorsel's body of work is steeped in narrative: family history, memory, and tradition are recurring themes, inspired by the oral storytelling tradition within her family. While her work was initially predominantly figurative, in recent years there has been a steady shift towards a more abstract visual language.
A characteristic of her working method is the absence of a predetermined concept: each work arises intuitively, without a set final image. This open approach results in a visual language that is spontaneous, layered, and sometimes deliberately untamed is — a deliberate choice that benefits the directness and impact of the work.
Seller's Story
Romy van Rijckevorsel (Drunen, 1967) is a Dutch artist, living and working in Vlijmen since 2002. After a long period as a portrait painter, she graduated in 2017 from the Academy of Fine Arts in Arendonk with a degree in Painting. Since then, she has been working as an independent, self-employed artist. Her work is part of collections both in the Netherlands and abroad.
Van Rijckevorsel's body of work is steeped in narrative: family history, memory, and tradition are recurring themes, inspired by the oral storytelling tradition within her family. While her work was initially predominantly figurative, in recent years there has been a steady shift towards a more abstract visual language.
A characteristic of her working method is the absence of a predetermined concept: each work arises intuitively, without a set final image. This open approach results in a visual language that is spontaneous, layered, and sometimes deliberately untamed is — a deliberate choice that benefits the directness and impact of the work.
