Telemaco Signorini (1835-1901), Attributed to - Two landscapes (2 works)





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Two landscapes (2 works), an oil painting on panel from 19th‑century Belgium, attributed to Telemaco Signorini and hand signed, with dimensions 15 cm by 23.5 cm.
Description from the seller
Two oil paintings by Signorini, canvas laid down on panel. Imagesize 11 x 19.5 cm. Framed behind glass.
Provenance:
-Acquired in Rome in the 1960's.
-Belgian private collection.
Telemaco Signorini (Florence, 1835 – 1901) is one of the most important artists of the Macchiaioli group. He attended the Scuola Libera del Nudo at the Accademia di Belle Arti from 1854. From 1855, he was often at the Caffè Michelangiolo, a meeting place for artists. Here, the language of art was renewed in opposition to the official academic form. In the same year, he opened his studio on Via della Pergola. Vincenzo Cabianca and Vito D’Ancona were his neighbours.
His trip to Paris in 1861 proved to be extremely important. During this trip, he got to know Camille Corot and the artistic production of the Barbizon School, whose aim was to represent nature from life, through the use of spot painting rendered with large flat backgrounds. The group’s influence would later be applied by the painter to various themes such as landscapes and subjects of social criticism. An animator in the cultural and artistic life of Florence in the second half of the century, from the middle of the eighth decade his international success led him to travel frequently to London and Scotland and to Paris. Here, at the Universal Exhibition in 1878, he exhibited a view of the Ponte Vecchio, which was innovative for its bold framing and lively brushwork.
Two oil paintings by Signorini, canvas laid down on panel. Imagesize 11 x 19.5 cm. Framed behind glass.
Provenance:
-Acquired in Rome in the 1960's.
-Belgian private collection.
Telemaco Signorini (Florence, 1835 – 1901) is one of the most important artists of the Macchiaioli group. He attended the Scuola Libera del Nudo at the Accademia di Belle Arti from 1854. From 1855, he was often at the Caffè Michelangiolo, a meeting place for artists. Here, the language of art was renewed in opposition to the official academic form. In the same year, he opened his studio on Via della Pergola. Vincenzo Cabianca and Vito D’Ancona were his neighbours.
His trip to Paris in 1861 proved to be extremely important. During this trip, he got to know Camille Corot and the artistic production of the Barbizon School, whose aim was to represent nature from life, through the use of spot painting rendered with large flat backgrounds. The group’s influence would later be applied by the painter to various themes such as landscapes and subjects of social criticism. An animator in the cultural and artistic life of Florence in the second half of the century, from the middle of the eighth decade his international success led him to travel frequently to London and Scotland and to Paris. Here, at the Universal Exhibition in 1878, he exhibited a view of the Ponte Vecchio, which was innovative for its bold framing and lively brushwork.

