Hubert Duprilot - 2026 acrylique sur papier (21x29,7cm)






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Hubert Duprilot presents an original 2026 acrylic on paper portrait, 21 × 29.7 cm, signed at the lower right and on the back, in excellent condition.
Description from the seller
Hubert Duprilot was born in Tours (France) in 1975.
2026, acrylic on paper (21 x 29.7 cm) "signed at the bottom right and on the back"
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a measure of hope in a world that is sometimes dark and uncertain. His work questions our condition, our fears, but also our ability to create connections and to reinvent ourselves.
For several years now, believing that traditional exhibitions require a lot of time and energy to reach an audience that is often limited and initiated, Hubert Duprilot has chosen to invest in the urban space. Turning to street art, he offers a new freedom to his characters, making them step out of the studio to be inscribed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space thus becomes an open-air gallery where art slips into daily life, prompting questions, emotions and encounters.
Hubert Duprilot was born in Tours (France) in 1975.
2026, acrylic on paper (21 x 29.7 cm) "signed at the bottom right and on the back"
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a measure of hope in a world that is sometimes dark and uncertain. His work questions our condition, our fears, but also our ability to create connections and to reinvent ourselves.
For several years now, believing that traditional exhibitions require a lot of time and energy to reach an audience that is often limited and initiated, Hubert Duprilot has chosen to invest in the urban space. Turning to street art, he offers a new freedom to his characters, making them step out of the studio to be inscribed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space thus becomes an open-air gallery where art slips into daily life, prompting questions, emotions and encounters.
