Frans Vervloet (1795-1872) - Venezia Piazza San Marco (1835)






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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Description from the seller
Frans Vervloet (Mechelen, January 20, 1795 – Venice, 1872) Piazza San Marco 1835
size with original frame 73x49 cm; the frame is not part of the sale but is provided free of charge ...
work published; extremely rare painter to find on the market, especially for Venetian views. Considered Canalettian
included with the authentic work are copies of the publication available
certificate of guarantee, Art Gallery
the authentic work shipped insured with DHL
....................................................................................................................................................................
Frans Vervloet (Mechelen, January 20, 1795 – Venice, 1872) was a Belgian painter, remembered mainly as a landscape artist.
Biography
His father, Frans Vervloet I, was also a painter, professor at the Mechelen Academy; it was he who taught his children the rudiments of art. In 1822 the young man made a journey to Italy, residing mainly in Rome but also visiting Campania. From 1824 onward, he settled in Naples, where he pursued his activity. In 1832 he traveled to Venice, remaining captivated; Venice and Naples would remain throughout his life the cities he loved most. He traveled a great deal and depicted in his works, in addition to Venice and Naples, Palermo, Livorno, Constantinople, Gaeta, and several areas of Apulia. In 1861 he settled permanently in Venice where he died at the age of 77.
Works
Vervloet was mainly a landscape painter, but he often depicted, in addition to views, sacristies, interiors of churches, monuments. His style, recognizable from his youth, places atmospheric perspective at the center of the painting, rendering it soft through the rendering of a delicate chromatic range, and it had a notable influence on the developments of the Posillipo School.
Works
Correale Museum of Art, Sorrento (NA) with the work Veduta della costa di Torre del Greco.
Private collection, Venice, Piazza San Marco, 1835, oil on canvas, 78 x 58.5 cm
National Museum of San Martino in Naples with the works: The Neapolitan and Spanish Fleet in the Bay of Gaeta, (1849); The Lagoon of the Castle (1825); The Lagoon of the Castle with the Lantern (1825); San Martino from the Lantern of the Mole (1825); The Hill of Vomero at Villa Lucia (1846); The Treasury Chapel in the Certosa Church (1848).
Villa Rosebery: “View of the Cathedral of Palermo” (1840)
Reggia di Caserta, View of Gaeta on the occasion of the blessing of Pius XI, Naples 1850
Bibliography
Giuseppina De Marco, An unpublished journey in Calabria in the drawings of François Vervloet in “Quaderni del Dipartimento Patrimonio Architettonico e Urbanistico,” 1998, no. 13-14, Gangemi, Rome, pp. 85-98.
A.A.V.V., "Vervloet", in Vedute napoletane dell'Ottocento, Electa Napoli, Naples 2002, pp. 28–29.
CAUSA Raffaello, "Vervloet", in IDEM La scuola di Posillipo, Fabbri Editori, Milan 1967, pp. 46–51(tavole), 97.
Frans Vervloet (Mechelen, January 20, 1795 – Venice, 1872) Piazza San Marco 1835
size with original frame 73x49 cm; the frame is not part of the sale but is provided free of charge ...
work published; extremely rare painter to find on the market, especially for Venetian views. Considered Canalettian
included with the authentic work are copies of the publication available
certificate of guarantee, Art Gallery
the authentic work shipped insured with DHL
....................................................................................................................................................................
Frans Vervloet (Mechelen, January 20, 1795 – Venice, 1872) was a Belgian painter, remembered mainly as a landscape artist.
Biography
His father, Frans Vervloet I, was also a painter, professor at the Mechelen Academy; it was he who taught his children the rudiments of art. In 1822 the young man made a journey to Italy, residing mainly in Rome but also visiting Campania. From 1824 onward, he settled in Naples, where he pursued his activity. In 1832 he traveled to Venice, remaining captivated; Venice and Naples would remain throughout his life the cities he loved most. He traveled a great deal and depicted in his works, in addition to Venice and Naples, Palermo, Livorno, Constantinople, Gaeta, and several areas of Apulia. In 1861 he settled permanently in Venice where he died at the age of 77.
Works
Vervloet was mainly a landscape painter, but he often depicted, in addition to views, sacristies, interiors of churches, monuments. His style, recognizable from his youth, places atmospheric perspective at the center of the painting, rendering it soft through the rendering of a delicate chromatic range, and it had a notable influence on the developments of the Posillipo School.
Works
Correale Museum of Art, Sorrento (NA) with the work Veduta della costa di Torre del Greco.
Private collection, Venice, Piazza San Marco, 1835, oil on canvas, 78 x 58.5 cm
National Museum of San Martino in Naples with the works: The Neapolitan and Spanish Fleet in the Bay of Gaeta, (1849); The Lagoon of the Castle (1825); The Lagoon of the Castle with the Lantern (1825); San Martino from the Lantern of the Mole (1825); The Hill of Vomero at Villa Lucia (1846); The Treasury Chapel in the Certosa Church (1848).
Villa Rosebery: “View of the Cathedral of Palermo” (1840)
Reggia di Caserta, View of Gaeta on the occasion of the blessing of Pius XI, Naples 1850
Bibliography
Giuseppina De Marco, An unpublished journey in Calabria in the drawings of François Vervloet in “Quaderni del Dipartimento Patrimonio Architettonico e Urbanistico,” 1998, no. 13-14, Gangemi, Rome, pp. 85-98.
A.A.V.V., "Vervloet", in Vedute napoletane dell'Ottocento, Electa Napoli, Naples 2002, pp. 28–29.
CAUSA Raffaello, "Vervloet", in IDEM La scuola di Posillipo, Fabbri Editori, Milan 1967, pp. 46–51(tavole), 97.
