[miniaturiste] Siméon LUCE / Jean GRADASSI - La France pendant la Guerre de Cent Ans [1/150 ex. n° avec SUITE, DESSIN ORIGINAL SIGNÉ & CADRE] - 1978-1979
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Three-volume illustrated edition La France pendant la Guerre de Cent Ans by Siméon Luce and Jean Gradassi, published 1978–1979 by Éditions Arts et Couleurs, bound in garnet leather with gilt decoration, includes a signed original colour drawing and a framed plate plus a case, 639 pages in total, limited edition numbered 1/150 with suite and certificate of authenticity.
Description from the seller
LUCE (Siméon)
France during the Hundred Years' War
Historical episodes and private life in the 14th and 15th centuries
Monte Carlo, Arts et Couleurs Editions, 1978-1979
3 volumes in-4 (26.4 cm x 21 cm) comprising 226-[3]pp.; 233-[6]pp. & 180-[8]pp.
Print run of 2,500 copies numbered on Arches vellum.
Full burgundy morocco leather, spine and boards adorned with cold-stamped decorations and fleur-de-lys in gold, linings and turn-ins of burgundy moiré silk, gilt head, case (publisher’s binding).
Work illustrated by Jean Gradassi with in-text and out-of-text color compositions reproduced by stencil.
One of the 150 numbered copies including an original color drawing signed, a grayscale payoff of the out-of-text illustrations, and a double color-plate mounted, this one no. 10, well complete with its certificate of authenticity signed by the artist on the half-title of Volume I.
Very beautiful copy.
Seller's Story
LUCE (Siméon)
France during the Hundred Years' War
Historical episodes and private life in the 14th and 15th centuries
Monte Carlo, Arts et Couleurs Editions, 1978-1979
3 volumes in-4 (26.4 cm x 21 cm) comprising 226-[3]pp.; 233-[6]pp. & 180-[8]pp.
Print run of 2,500 copies numbered on Arches vellum.
Full burgundy morocco leather, spine and boards adorned with cold-stamped decorations and fleur-de-lys in gold, linings and turn-ins of burgundy moiré silk, gilt head, case (publisher’s binding).
Work illustrated by Jean Gradassi with in-text and out-of-text color compositions reproduced by stencil.
One of the 150 numbered copies including an original color drawing signed, a grayscale payoff of the out-of-text illustrations, and a double color-plate mounted, this one no. 10, well complete with its certificate of authenticity signed by the artist on the half-title of Volume I.
Very beautiful copy.

