Jone Hopper - Le guerrier à cheval






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
€200 | ||
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€100 |
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Le guerrier à cheval is a Giclée on canvas mounted on a frame, 50 cm high by 40 cm wide, created in France after 2020 by Jone Hopper, edition Original and unique 01/01, signed by hand with a hand-signed certificate of authenticity.
Description from the seller
- Unique edition 01/01, hand-signed on the back of the artwork
- Giclée on canvas mounted on a frame and hand-enhanced in the artist's studio
- Certificate of authenticity hand-signed
Born in 1977, Jone Hopper is a French artist. In the late 1980s, he learned his craft on the street through an emerging movement of the time: graffiti. He tags his name on the street, on walls and on trains. Known for his characters and aerosol signatures, he founded the TBS (The Brutal Style) collective with Skepa and a few other committed graffiti writers. We know little about him because the artist remains faithful to the spirit of graffiti and wishes to stay anonymous, believing the work should be showcased, not the figure. Virtually absent from social networks, absent from openings, a faceless artist, he remains a real mystery except to a few gallery owners in the know. He compares his painting to a Hip Hop track, drawing from Basquiat, Keith Haring, Picasso, Matisse, Andy Warhol or even Bacon, borrowing from all painting currents—from Modern to Contemporary, including the Classical—acting like a sampler... sampling, cutting, assembling, and thus creating new images."
- Unique edition 01/01, hand-signed on the back of the artwork
- Giclée on canvas mounted on a frame and hand-enhanced in the artist's studio
- Certificate of authenticity hand-signed
Born in 1977, Jone Hopper is a French artist. In the late 1980s, he learned his craft on the street through an emerging movement of the time: graffiti. He tags his name on the street, on walls and on trains. Known for his characters and aerosol signatures, he founded the TBS (The Brutal Style) collective with Skepa and a few other committed graffiti writers. We know little about him because the artist remains faithful to the spirit of graffiti and wishes to stay anonymous, believing the work should be showcased, not the figure. Virtually absent from social networks, absent from openings, a faceless artist, he remains a real mystery except to a few gallery owners in the know. He compares his painting to a Hip Hop track, drawing from Basquiat, Keith Haring, Picasso, Matisse, Andy Warhol or even Bacon, borrowing from all painting currents—from Modern to Contemporary, including the Classical—acting like a sampler... sampling, cutting, assembling, and thus creating new images."
