Max Modolo - Vase - Stoneware - Biomorphic Vase 1





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Biomorphic Vase 1 by Max Modolo, a stoneware piece from Italy in a modern rustic style, with an exploded rim and a textured white-ivory-cream glaze with mineral gold drips, 19 cm diameter, 25 cm high, 18 cm deep, 19 cm wide, weight 2.2 g, dated 2010–2020 and in new condition.
Description from the seller
Max Modolo - Biomorphic Vase 1
Style: Modern, Italian/Japanese, Wabi-Sabi, Imperfection, Calm, Minimalism, Natural materials, Earthy color palette.
Stoneware. Firing temperature 1240°C. Biomorphic vase with an exploded rim. Textured glaze in shades of white, ivory, and cream. Mineral gold drippings and craters.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”
Max Modolo - Biomorphic Vase 1
Style: Modern, Italian/Japanese, Wabi-Sabi, Imperfection, Calm, Minimalism, Natural materials, Earthy color palette.
Stoneware. Firing temperature 1240°C. Biomorphic vase with an exploded rim. Textured glaze in shades of white, ivory, and cream. Mineral gold drippings and craters.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”

