Lucía Laurent - XL - Café, Rosa y Gato






Over 10 years' experience in art trade and previously founded his own gallery.
€60 | ||
|---|---|---|
€1 |
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 142358 reviews
Rated Excellent on Trustpilot.
Lucía Laurent - XL presents Café, Rosa y Gato, an original acrylic on canvas, 120 x 90 cm, signed by hand, created after 2020 in Spain and sold directly by the artist.
Description from the seller
Lucía Lauren ( LILI) is a Cuban artist with a primarily self-taught plastic arts background, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that the line, the silhouette, the simplification of forms, and graphic clarity acquire in her current painting.
Finally she found in the plastic arts a space of expression that was much broader. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with the cat appearing recurrently as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía removes much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined outlines, and flat shapes build images that are immediately legible, yet loaded with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensitivity of her own, warmer, more everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not represented as a heroic or distant figure, but from a calm, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost blend, turning the composition into a representation of affection.
Flowers and vegetation play a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until the boundary between figure and nature sometimes disappears. In this way, woman, nature, and the animal world end up forming a single sensitivity.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman sitting next to the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of melodrama constitutes much of the charm of the work.
Thus Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity but on the ability to reduce a scene until finding its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent made in the technique Acrylic on premium canvas.
Dimension: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please check the original photographs to verify the real condition of the work.”
This cozy acrylic-on-canvas piece delves into the style of contemporary figurative illustration and neo-pop, standing out for its intimate atmosphere and bold use of color. The composition places at the center a woman with long hair and a serene expression with closed eyes, holding a steaming cup of coffee while embracing a calm-looking black cat. She wears a sweater full of dynamic visual movement made up of polka dot patterns, stripes, and collars dyed in turquoise, yellow, magenta, and black. The background, dominated by a deep pink with stylized leaves in fuchsia and white, surrounds the characters in a botanical and decorative frame that, added to the clean line of the contours and the blocks of flat color, conveys a sense of comfort, tranquility, and warm homeliness.
Lucía Lauren ( LILI) is a Cuban artist with a primarily self-taught plastic arts background, graduated in Social Communication from the University of Havana.
Her relationship with the image began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that the line, the silhouette, the simplification of forms, and graphic clarity acquire in her current painting.
Finally she found in the plastic arts a space of expression that was much broader. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with the cat appearing recurrently as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía removes much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined outlines, and flat shapes build images that are immediately legible, yet loaded with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensitivity of her own, warmer, more everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not represented as a heroic or distant figure, but from a calm, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost blend, turning the composition into a representation of affection.
Flowers and vegetation play a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until the boundary between figure and nature sometimes disappears. In this way, woman, nature, and the animal world end up forming a single sensitivity.
In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman sitting next to the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of melodrama constitutes much of the charm of the work.
Thus Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity but on the ability to reduce a scene until finding its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent made in the technique Acrylic on premium canvas.
Dimension: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please check the original photographs to verify the real condition of the work.”
This cozy acrylic-on-canvas piece delves into the style of contemporary figurative illustration and neo-pop, standing out for its intimate atmosphere and bold use of color. The composition places at the center a woman with long hair and a serene expression with closed eyes, holding a steaming cup of coffee while embracing a calm-looking black cat. She wears a sweater full of dynamic visual movement made up of polka dot patterns, stripes, and collars dyed in turquoise, yellow, magenta, and black. The background, dominated by a deep pink with stylized leaves in fuchsia and white, surrounds the characters in a botanical and decorative frame that, added to the clean line of the contours and the blocks of flat color, conveys a sense of comfort, tranquility, and warm homeliness.
