Lucía Laurent - XL - Ensoñación Cobalto

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Lucía Laurent - XL presents Ensoñación Cobalto, an original acrylic on canvas artwork (120 × 90 cm) from Spain, signed by hand, in excellent condition and sold directly by the artist after 2020.

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Description from the seller

Lucía Lauren ( LILI) is a Cuban artist with essentially self-taught plastic training, graduated in Social Communication from the University of Havana.

Her relationship with imagery began long before she devoted herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the plastic arts a much broader space for expression. Painting allowed her to unite those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren's work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in small moments of calm: a woman who holds her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting begins from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she deems essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet filled with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensitivity of her own, warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of virtually her entire pictorial universe. She does not appear represented as a heroic or distant character, but as a calm, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.

Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the cat's shapes almost merge, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds to the point of sometimes erasing the boundary between figure and nature. Thus, woman, nature, and the animal world end up forming one sensibility.

In works like the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and center the entire scene on the embrace gesture. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman sitting next to the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist does not perform any concrete action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.

Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affective. In it appear everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.

Artwork by the artist Lucía Laurent created in the acrylic on high-quality professional canvas technique.
Dimension of 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS), to Spain and Europe, and through FedEx for the rest of the world.
The work will be sent rolled and will be protected by several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please check the original photographs to verify the real condition of the piece.”


This sophisticated acrylic on canvas work is positioned within contemporary figurative abstraction and synthetic cubism, standing out for its careful economy of form and sober handling of color. The composition presents the stylized silhouette of a woman in an introspective and gathered attitude, whose organic curves harmonically contrast with the rigidity of the arches and rectilinear planes that structure the background. The color palette is dominated by an elegant range of blues—from cobalt to sky blue—, deep blacks and off-whites, with a single strategic warm focal point given by a sun or moon in a golden yellow hue in the upper corner. The use of thick black outlines and flat color blocks, along with geometric botanical elements on the left, gives the piece a modern, poetic character and great architectural strength.

Lucía Lauren ( LILI) is a Cuban artist with essentially self-taught plastic training, graduated in Social Communication from the University of Havana.

Her relationship with imagery began long before she devoted herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the plastic arts a much broader space for expression. Painting allowed her to unite those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren's work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in small moments of calm: a woman who holds her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting begins from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she deems essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet filled with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensitivity of her own, warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of virtually her entire pictorial universe. She does not appear represented as a heroic or distant character, but as a calm, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.

Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the cat's shapes almost merge, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds to the point of sometimes erasing the boundary between figure and nature. Thus, woman, nature, and the animal world end up forming one sensibility.

In works like the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and center the entire scene on the embrace gesture. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman sitting next to the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist does not perform any concrete action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.

Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affective. In it appear everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.

Artwork by the artist Lucía Laurent created in the acrylic on high-quality professional canvas technique.
Dimension of 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS), to Spain and Europe, and through FedEx for the rest of the world.
The work will be sent rolled and will be protected by several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please check the original photographs to verify the real condition of the piece.”


This sophisticated acrylic on canvas work is positioned within contemporary figurative abstraction and synthetic cubism, standing out for its careful economy of form and sober handling of color. The composition presents the stylized silhouette of a woman in an introspective and gathered attitude, whose organic curves harmonically contrast with the rigidity of the arches and rectilinear planes that structure the background. The color palette is dominated by an elegant range of blues—from cobalt to sky blue—, deep blacks and off-whites, with a single strategic warm focal point given by a sun or moon in a golden yellow hue in the upper corner. The use of thick black outlines and flat color blocks, along with geometric botanical elements on the left, gives the piece a modern, poetic character and great architectural strength.

Details

Artist
Lucía Laurent - XL
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
Ensoñación Cobalto
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Condition
Excellent condition
Colour
Multicolour
Height
120 cm
Width
90 cm
Style
Modern
Period
2020+
SpainVerified
1326
Objects sold
99.54%
protop

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