Lucía Laurent - XL - Ritmo de Formas

Lucía Lauren (LILI) is a Cuban artist with a primarily self-taught background in the plastic arts, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she devoted herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she ventured for several years into the world of tattooing, a stage that was decisive for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the visual arts a space of much broader expression. Painting allowed her to bring together those previous experiences and transform them into an intimate and recognizable universe, built mainly with acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as the silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large color fields, defined contours, and flat shapes build images that are immediately legible, yet imbued with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensitivity, warmer, everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochers, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of almost her entire pictorial universe. She is not represented as a heroic or distant character, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.

Cats play a particularly interesting role. More than simple decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost fuse, turning the composition into a representation of affection.

Flowers and vegetation play a similar function. They surround the protagonists, appear in their dresses, or merge into the backgrounds to erase the boundary between figure and nature on occasion. In this way, woman, nature, and the animal world end up forming one sensibility.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the embrace’s gesture. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman sitting beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.

Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until it reveals its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that a large part of the personality of her work resides.

Artwork by the artist Lucía Laurent created in acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
The shipment will be made through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The piece will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the artwork has been paid for, three days are required for the packing process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Check the original photographs to verify the real condition of the work.”


This captivating work in acrylic on canvas delves into the style of contemporary geometric figuration with marked influences from Art Deco and synthetic Cubism. The composition centers on the reclining figure of a woman in warm tones and sinuous lines, whose raised arm frames her expressive and stylized face. The pictorial plane is organized by clean black outlines that divide the space into balanced color blocks: earthy tones in the skin, deep greens in the clothing and vegetation, as well as accents in vibrant yellow and carmine red on a neutral architectural background. The synthesis of organic forms and geometric elements — such as the upper semicircle and the plants in a vase on the left — gives the piece a sophisticated, harmonious, and highly solid visual character.