pier - Les sucettes à l'anis






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Original acrylic painting on paper by pier titled Les sucettes à l'anis, 38 × 28 cm, portrait, in yellow, black and white, signed at the bottom right and on the back, dated 2026, in excellent condition, certificate of authenticity included, sold directly by the artist.
Description from the seller
" anis anise lollipops"? Wait—Actually, the title is "Les sucettes à l'anis" and should be translated as such? No, we keep the meaning: The nankin? No, we must translate. The text begins:
"Les sucettes à l'anis" is a work that belongs to the Yellow series. It was produced in acrylic paint on a page from L'Illustration. It is a 38 cm high by 28 cm wide piece. It is signed at the bottom right as well as on the back with the title and the date of execution. It comes with a certificate of authenticity attached to the shipment. Its overall condition is perfect.
This paper-based work is shipped properly protected in an envelope or in a cardboard tube.
Who is Pier?
Son of parents working abroad, Pier, alias Pierre Sullice, spent his childhood and adolescence in Latin America. It was during his stay in Ecuador, thanks to the friendship of his son‑in‑law, that he discovered the work of Oswaldo Guayasamín and awakened to the plastic arts. Since that day, he has never ceased to be passionate about painting, particularly modern and contemporary.
After studying modern literature and philosophy, Pier joined La Fémis before writing his first fiction screenplay, the tale of a painter exiled in the Cévennes who discovers a materialist approach to painting thanks to a person with Down syndrome. Entitled “Les bois transparents,” the screenplay won the Cent Premières œuvres, a competition created by France Télévisions. Pier himself made the film, which was broadcast on France 3, RFO and TMC and awarded at many festivals.
Without renouncing writing, reading and audiovisual animation, Pier continues his exploration of the plastic arts, creating numerous collages inspired by children’s drawings. In 2023, after ending his career in audiovisuals, he settled in the Gard to devote himself exclusively to painting.
Thriving in his Lecques studio, Pier broadens his pictorial research by working on recycled paper supports or decorative canvases on stretchers through acrylic painting, marker, or pastel. In doing so, he openly aligns with a Brut Art and Cobra movement that owes as much to Chaissac as to Karel Appel, Alechinsky or Lindström. By mixing spontaneity and humor, he forges a personal path that leads to a florilege of characters both surprising and endearing.
Latest exhibitions:
2023 - Saint-Christol (34) Lisanna Gallery
2024 - Sommières (30) Tibère Hall
2025 - Sauve (30) - Alter’Livres Gallery
- Lecques (30) - JNA: open studios
2026 - Aubais (30) - Château d’Aubais
" anis anise lollipops"? Wait—Actually, the title is "Les sucettes à l'anis" and should be translated as such? No, we keep the meaning: The nankin? No, we must translate. The text begins:
"Les sucettes à l'anis" is a work that belongs to the Yellow series. It was produced in acrylic paint on a page from L'Illustration. It is a 38 cm high by 28 cm wide piece. It is signed at the bottom right as well as on the back with the title and the date of execution. It comes with a certificate of authenticity attached to the shipment. Its overall condition is perfect.
This paper-based work is shipped properly protected in an envelope or in a cardboard tube.
Who is Pier?
Son of parents working abroad, Pier, alias Pierre Sullice, spent his childhood and adolescence in Latin America. It was during his stay in Ecuador, thanks to the friendship of his son‑in‑law, that he discovered the work of Oswaldo Guayasamín and awakened to the plastic arts. Since that day, he has never ceased to be passionate about painting, particularly modern and contemporary.
After studying modern literature and philosophy, Pier joined La Fémis before writing his first fiction screenplay, the tale of a painter exiled in the Cévennes who discovers a materialist approach to painting thanks to a person with Down syndrome. Entitled “Les bois transparents,” the screenplay won the Cent Premières œuvres, a competition created by France Télévisions. Pier himself made the film, which was broadcast on France 3, RFO and TMC and awarded at many festivals.
Without renouncing writing, reading and audiovisual animation, Pier continues his exploration of the plastic arts, creating numerous collages inspired by children’s drawings. In 2023, after ending his career in audiovisuals, he settled in the Gard to devote himself exclusively to painting.
Thriving in his Lecques studio, Pier broadens his pictorial research by working on recycled paper supports or decorative canvases on stretchers through acrylic painting, marker, or pastel. In doing so, he openly aligns with a Brut Art and Cobra movement that owes as much to Chaissac as to Karel Appel, Alechinsky or Lindström. By mixing spontaneity and humor, he forges a personal path that leads to a florilege of characters both surprising and endearing.
Latest exhibitions:
2023 - Saint-Christol (34) Lisanna Gallery
2024 - Sommières (30) Tibère Hall
2025 - Sauve (30) - Alter’Livres Gallery
- Lecques (30) - JNA: open studios
2026 - Aubais (30) - Château d’Aubais
