Mauro Pani (1957) - Nostalgia del bianco





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Nostalgia del bianco is an original acrylic painting on a primed panel, 30 by 40 cm, created in Italy in 2026 by Mauro Pani (1957) in the Surrealism style, signed by hand, in excellent condition, sold directly by the artist and accompanied by a handwritten certificate of authenticity, with no frame.
Description from the seller
With Nostalgia of the White I sign an artwork of extraordinary lyricism and technical maturity. The title itself invites the viewer into an introspective dimension, where the winter landscape ceases to be a simple natural view and becomes a mirror of the soul.
Painted on a canvased panel in the year 2026, Dimensions 30x40x0.3 cm, signed bottom left, finished with a final protective coating. Provided without a frame. Directly from my studio to the listing, provided with an authenticity certificate written in my own hand. Shipped with DHL courier in sturdy packaging and insured.
My name is Mauro Pani and I am a self-taught painter, with several regional exhibitions and a couple of collaborations with the Mario Mazzoleni Gallery, Artmajeur, and some scattered across the national territory. Many of my works now reside all over Europe. I do not like galleries because I am very reserved; beauty and art in general should not be judged based on how many exhibitions and art critics you could pay.
With Nostalgia of the White I sign an artwork of extraordinary lyricism and technical maturity. The title itself invites the viewer into an introspective dimension, where the winter landscape ceases to be a simple natural view and becomes a mirror of the soul.
Painted on a canvased panel in the year 2026, Dimensions 30x40x0.3 cm, signed bottom left, finished with a final protective coating. Provided without a frame. Directly from my studio to the listing, provided with an authenticity certificate written in my own hand. Shipped with DHL courier in sturdy packaging and insured.
My name is Mauro Pani and I am a self-taught painter, with several regional exhibitions and a couple of collaborations with the Mario Mazzoleni Gallery, Artmajeur, and some scattered across the national territory. Many of my works now reside all over Europe. I do not like galleries because I am very reserved; beauty and art in general should not be judged based on how many exhibitions and art critics you could pay.

