A. De Luca (1979) - La voce silenziosa del violoncello





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La voce silenziosa del violoncello, oil on canvas (40 × 30 cm), Italy, 2020+, original edition, hand-signed by A. De Luca, in excellent condition.
Description from the seller
De Luca — “The Silent Voice of the Cello”
Oil on canvas, 40 × 30 cm
A young cellist, portrayed with her head slightly bowed and her gaze lowered, occupies the scene in a moment of intense concentration. Her hair pulled back leaves her face exposed, shaped by soft passages of light that underscore her absorbed expression. The light dress, with thin straps, introduces a note of delicacy beside the warm and enveloping presence of the instrument.
The cello dominates the composition with amber, orange, and reddish tones. The dark fingerboard establishes a strong vertical axis, while the bow crosses diagonally the lower part of the scene. The hands connect these two movements, rendering visible the relationship between gesture and music.
The background, built with layered brushstrokes in shades of gray, ivory, and beige, lets the figure emerge without narrative distractions. The contrast between the softness of the flesh-tones and the liveliness of the painted surface gives the portrait an intimate, gathered quality, suggesting the emotional dimension of the musical performance.
De Luca — “The Silent Voice of the Cello”
Oil on canvas, 40 × 30 cm
A young cellist, portrayed with her head slightly bowed and her gaze lowered, occupies the scene in a moment of intense concentration. Her hair pulled back leaves her face exposed, shaped by soft passages of light that underscore her absorbed expression. The light dress, with thin straps, introduces a note of delicacy beside the warm and enveloping presence of the instrument.
The cello dominates the composition with amber, orange, and reddish tones. The dark fingerboard establishes a strong vertical axis, while the bow crosses diagonally the lower part of the scene. The hands connect these two movements, rendering visible the relationship between gesture and music.
The background, built with layered brushstrokes in shades of gray, ivory, and beige, lets the figure emerge without narrative distractions. The contrast between the softness of the flesh-tones and the liveliness of the painted surface gives the portrait an intimate, gathered quality, suggesting the emotional dimension of the musical performance.

