Elizabeth - Isla Suspendida

06
days
17
hours
44
minutes
38
seconds
Starting bid
€ 1
No reserve price
No bids placed

Catawiki Buyer Protection

Your payment’s safe with us until you receive your object.View details

Trustpilot 4.4 | 142216 reviews

Rated Excellent on Trustpilot.

Isla Suspendida is an original surreal oil on canvas by Elizabeth from Spain, 80 by 60 cm, post-2020, in a multicolour palette, signed by hand, original edition, in excellent condition, sold directly by the artist.

AI-assisted summary

Description from the seller

Artwork by the artist Elizabeth created in the high-quality professional oil on canvas technique.
Dimension of 60 x 80 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and will be protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.

The Cuban painter Elizabeth (professional training), resident and active in Havana, develops a series of dreamlike landscapes where domestic architecture rests on suspended rocks and impossible balances. Her compositions—between the marine and the celestial—propose a poetic reflection on refuge, memory, and the fragility of what is inhabitable. With an atmospheric handle of the sky and a vibrant palette of blues, pinks, and greens, the artist creates scenes of intense emotional luminosity: lit windows, smoky chimneys, ascending stairs, trees flowering at improbable heights. The work combines precision in detail with expressiveness in matter, achieving images of strong visual and narrative impact, capable of coexisting between contemplation and wonder.

These Elizabeth pieces build a universe where the house—that intimate symbol of refuge—becomes a poetic idea rather than an architecture: it appears suspended, anchored to impossible rocks, balanced on stone towers, isolated on minimal islets as if the real world had been reduced to the essential. There is a silent narrative in each scene: the staircase that climbs toward the uncertain, the smoke from a chimney as a sign of life, the lit windows that render the remote warm, and the trees that, even at improbable heights, open up as a promise of continuity.

The theme, at bottom, is a metaphor about belonging and balance: “inhabiting” is not just being in a place, but sustaining it. Elizabeth turns the landscape into an emotional state. The stone—heavy, ancestral—appears carved with volume and nuances, with colors that shift from violet to ochre and from deep blue to mossy greens, as if each rock held memory and time. On top, life: red roofs, illuminated wood, exuberant foliage. That tension between the solid and the fragile, between the stable and the suspended, is where the work breathes most strongly.

In color there is a clear decision: wide, atmospheric skies, loaded with clouds that function as stage and as music. The color does not merely “describe”; it interprets. The blues become ocean and distance; the pinks and oranges of twilight bring a luminous melancholy; the greens, at times intense, introduce hope and freshness. The brushwork alternates between soft zones (skies and glazes) and more emphatic moments in the foliage and rock, where a taste for contrast and texture is evident. The result is an image of great legibility—almost like a tale—yet with symbolic depth that avoids mere decorative.

The compositional sense also stands out: Elizabeth knows how to guide the gaze with clear routes (stairs, railings, diagonals of the cliff, curves of trunks) and to create centers of interest without saturating. The birds, the waves, the foreground stones or the details of doors and balconies are not accessories: they are signs that activate the scene, small “proofs” of reality within a world that allows the impossible. That mix of fantasy and emotional truth places these works in a territory close to magical pictorial realism: a place where the extraordinary does not surprise, it simply happens.

This captivating oil-on-canvas work, framed in a marked surrealist style, depicts a rustic wooden cabin sheltered by the lush crown of a intensely crimson foliage tree, erected on a balanced stack of large rocks that float above a sea of clouds. The composition stands out for the use of a long hanging wooden staircase that connects the main structure with rocky islets in the foreground, inviting the view to travel the scene in a diagonal full of dynamism. The vibrant color palette contrasts the warmth of the reddish red and the illuminated wood with the cool tones of the blue sky and cottony cumulus clouds, conveying a suggestive atmosphere of peace, poetic isolation, and fantastical imagination.

Artwork by the artist Elizabeth created in the high-quality professional oil on canvas technique.
Dimension of 60 x 80 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and will be protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.

The Cuban painter Elizabeth (professional training), resident and active in Havana, develops a series of dreamlike landscapes where domestic architecture rests on suspended rocks and impossible balances. Her compositions—between the marine and the celestial—propose a poetic reflection on refuge, memory, and the fragility of what is inhabitable. With an atmospheric handle of the sky and a vibrant palette of blues, pinks, and greens, the artist creates scenes of intense emotional luminosity: lit windows, smoky chimneys, ascending stairs, trees flowering at improbable heights. The work combines precision in detail with expressiveness in matter, achieving images of strong visual and narrative impact, capable of coexisting between contemplation and wonder.

These Elizabeth pieces build a universe where the house—that intimate symbol of refuge—becomes a poetic idea rather than an architecture: it appears suspended, anchored to impossible rocks, balanced on stone towers, isolated on minimal islets as if the real world had been reduced to the essential. There is a silent narrative in each scene: the staircase that climbs toward the uncertain, the smoke from a chimney as a sign of life, the lit windows that render the remote warm, and the trees that, even at improbable heights, open up as a promise of continuity.

The theme, at bottom, is a metaphor about belonging and balance: “inhabiting” is not just being in a place, but sustaining it. Elizabeth turns the landscape into an emotional state. The stone—heavy, ancestral—appears carved with volume and nuances, with colors that shift from violet to ochre and from deep blue to mossy greens, as if each rock held memory and time. On top, life: red roofs, illuminated wood, exuberant foliage. That tension between the solid and the fragile, between the stable and the suspended, is where the work breathes most strongly.

In color there is a clear decision: wide, atmospheric skies, loaded with clouds that function as stage and as music. The color does not merely “describe”; it interprets. The blues become ocean and distance; the pinks and oranges of twilight bring a luminous melancholy; the greens, at times intense, introduce hope and freshness. The brushwork alternates between soft zones (skies and glazes) and more emphatic moments in the foliage and rock, where a taste for contrast and texture is evident. The result is an image of great legibility—almost like a tale—yet with symbolic depth that avoids mere decorative.

The compositional sense also stands out: Elizabeth knows how to guide the gaze with clear routes (stairs, railings, diagonals of the cliff, curves of trunks) and to create centers of interest without saturating. The birds, the waves, the foreground stones or the details of doors and balconies are not accessories: they are signs that activate the scene, small “proofs” of reality within a world that allows the impossible. That mix of fantasy and emotional truth places these works in a territory close to magical pictorial realism: a place where the extraordinary does not surprise, it simply happens.

This captivating oil-on-canvas work, framed in a marked surrealist style, depicts a rustic wooden cabin sheltered by the lush crown of a intensely crimson foliage tree, erected on a balanced stack of large rocks that float above a sea of clouds. The composition stands out for the use of a long hanging wooden staircase that connects the main structure with rocky islets in the foreground, inviting the view to travel the scene in a diagonal full of dynamism. The vibrant color palette contrasts the warmth of the reddish red and the illuminated wood with the cool tones of the blue sky and cottony cumulus clouds, conveying a suggestive atmosphere of peace, poetic isolation, and fantastical imagination.

Details

Artist
Elizabeth
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
Isla Suspendida
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Excellent condition
Colour
Multicolour
Height
80 cm
Width
60 cm
Style
Surrealism
Period
2020+
SpainVerified
1307
Objects sold
100%
protop

Similar objects

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​

For you in

Classical Art & Impressionism

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​