Lucía Laurent - XL - Otoño y Elegancia

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Lucía Laurent - XL presents an original acrylic on canvas artwork titled "Otoño y Elegancia", 120 by 90 cm, hand-signed, created in Spain post-2020, in a contemporary multicolour style depicting a woman with a cat.

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Description from the seller

Lucía Lauren (LILI) is a Cuban artist with a primarily self-taught plastic arts background, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she devoted herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she spent several years delving into the world of tattooing, a formative stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the plastic arts a much broader space of expression. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. These are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined contours, and flat forms build images that are immediately legible, yet charged with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochers, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of practically her entire pictorial universe. She does not appear represented as a heroic or distant figure, but from a calm, elegant, introspective femininity. They are figures with serene gazes, slow poses, and contained gestures. There is glamour, but it is an intimate and silent glamour.

Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds until the boundary between figure and nature sometimes disappears. In this way, woman, nature, and the animal world end up forming a single sensibility.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to construct the image through the contrast between black, white, and red. The stripes of the dress stop being merely a pattern and become the main compositional resource: they surround both characters and concentrate the entire scene in the gesture of the embrace. The result conveys protection, intimacy, and silence.

In other pieces, like the woman sitting beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogizes with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.

Thus Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.

Artwork by the artist Lucía Laurent created in the technique Acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS), to Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Please check the original photographs to verify the real condition of the work.”

This acrylic-on-canvas work delves into a figurative, contemporary pop language with Art Deco accents, presenting a woman with stylized coppery hair who holds a smoking cigarette while caressing a imposing white-chested black cat. The composition is characterized by the flatness of the shapes and a clean line, delimiting dense color surfaces where electric blue, pink, green tones and the warmth of the mustard-yellow background adorned with autumn-red leaves stand out. The serene face of the protagonist and the penetrating gaze of the feline create an intriguing visual counterpoint, while the rising curl of smoke adds an organic rhythm that breaks the geometry of the scene, achieving a sophisticated, melancholic portrait with strong graphic impact.

Lucía Lauren (LILI) is a Cuban artist with a primarily self-taught plastic arts background, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she devoted herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she spent several years delving into the world of tattooing, a formative stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the plastic arts a much broader space of expression. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. These are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to keep only what she considers essential. Serene faces, large areas of color, defined contours, and flat forms build images that are immediately legible, yet charged with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochers, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of practically her entire pictorial universe. She does not appear represented as a heroic or distant figure, but from a calm, elegant, introspective femininity. They are figures with serene gazes, slow poses, and contained gestures. There is glamour, but it is an intimate and silent glamour.

Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds until the boundary between figure and nature sometimes disappears. In this way, woman, nature, and the animal world end up forming a single sensibility.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to construct the image through the contrast between black, white, and red. The stripes of the dress stop being merely a pattern and become the main compositional resource: they surround both characters and concentrate the entire scene in the gesture of the embrace. The result conveys protection, intimacy, and silence.

In other pieces, like the woman sitting beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogizes with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.

Thus Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.

Artwork by the artist Lucía Laurent created in the technique Acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS), to Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Please check the original photographs to verify the real condition of the work.”

This acrylic-on-canvas work delves into a figurative, contemporary pop language with Art Deco accents, presenting a woman with stylized coppery hair who holds a smoking cigarette while caressing a imposing white-chested black cat. The composition is characterized by the flatness of the shapes and a clean line, delimiting dense color surfaces where electric blue, pink, green tones and the warmth of the mustard-yellow background adorned with autumn-red leaves stand out. The serene face of the protagonist and the penetrating gaze of the feline create an intriguing visual counterpoint, while the rising curl of smoke adds an organic rhythm that breaks the geometry of the scene, achieving a sophisticated, melancholic portrait with strong graphic impact.

Details

Artist
Lucía Laurent - XL
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
Otoño y Elegancia
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Condition
Excellent condition
Colour
Multicolour
Height
120 cm
Width
90 cm
Style
Contemporary
Period
2020+
SpainVerified
1365
Objects sold
99.55%
protop

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