0xec6d0 (XX-XXI) - La Venus de Milo - XXL






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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La Venus de Milo - XXL, an original mixed media and pastel artwork by 0xec6d0, dated 2026, 105 × 220 cm, signed on the back, with certificate of authenticity, produced in France, weighing 1 kg, in excellent condition.
Description from the seller
Dimensions: 105 × 220 cm
Approximately 100 × 210 cm when mounted on a frame.
Unique work, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — outsider art and the machine
No face.
0xec6d0 is a French anonymous artist, founder of Nouveau Brutalisme. His work explores the areas that contemporary art rarely faces: artificial intelligence, LLM, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almost clinical: the code, the machine, the body, dissociation, Europe losing its shape.
The artist deliberately erases himself. No face, no biographical cult: only the work should strike.
Each piece arises from this friction between pictorial brutality and the computational world — violent, gentle, intellectual.
- More than 1,600 pieces sold
- Works collected in the United States and Europe
- Solo exhibition Generation Botox, Sofia, 2024
- Valuation referenced Akoun / ArtMajeur, 2026
Seller's Story
Dimensions: 105 × 220 cm
Approximately 100 × 210 cm when mounted on a frame.
Unique work, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — outsider art and the machine
No face.
0xec6d0 is a French anonymous artist, founder of Nouveau Brutalisme. His work explores the areas that contemporary art rarely faces: artificial intelligence, LLM, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almost clinical: the code, the machine, the body, dissociation, Europe losing its shape.
The artist deliberately erases himself. No face, no biographical cult: only the work should strike.
Each piece arises from this friction between pictorial brutality and the computational world — violent, gentle, intellectual.
- More than 1,600 pieces sold
- Works collected in the United States and Europe
- Solo exhibition Generation Botox, Sofia, 2024
- Valuation referenced Akoun / ArtMajeur, 2026
