Baptiste Laurent - "Porte N&B", XL acrylic on paper, 2018






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Baptiste Laurent presents Porte N&B, an original 110 x 110 cm acrylic on paper (XL) from 2018 in blue, white and black, hand-signed and depicting architecture, sold by Galería, in good condition, weighing 2 kg, originating in Spain, from the 2010–2020 period, unframed and shipped rolled.
Description from the seller
"Porte N&B patern" (Exit serie), 110x110cm", XXL, acrylic, posca on paper, 2018
Signed on back. Sold unframed, shipped rolled.
@baptiste___laurent
Exit /2018-2019
“Exit”, is an exhibition whose start takes place in three exhibitions at the National Anthropological Museum of Madrid, the Alliance Française in Madrid, and the Gazzambo Gallery. Balanced between paintings and sculptures, the Exit series aims to make a pictorial and imaginary story of the exile's journey, the successive exile and even its possible success.
The sculptures were produced around a workshop of the anthropological museum in Madrid, with the help of Senegalese immigrants in Spain. Mame Mbaye (one of the participants of this workshop), street vendor, died of a heart attack when he was chased by the police in the streets of Madrid. This dramatic event provoked a popular revolt in the district of Lavapiés. The Senegalese workshop of the museum and I wanted to pay homage to him, and to immigrants who live the same lives.
Wanting to previously refer to the collection of plaster molds of indigenous faces exhibited in the anthropology museum, this is an opposition between portraits of the present immigrants, and inherited scientific sculptures from the colonial past. This confrontation is contrasted with the formal evocations of social scientist sculpture, traditional ceramic sculpture, the mortuary mask, the orientalist arts, or the trophy. The impact caused by this mixture of contradictory effects tries to reflect the paradoxes that Europe has with the reception reserved for refugees.
Without the rigor that characterizes the approach of the anthropologist or ethnologist scientist, but imitating its processes, my approach would like to provoke a new kind of view of the foreigner faces, intending to sketch a subjective sample of new human figures living in Europe.
The series of works under the title “Exit” includes a sculpture work and a painting work. Paintings made in 2018, try to evoke dreams of the traveller in the journey of exile. Sometimes considered as a tapestry pattern, sometimes as a window, and almost always on a square format, the series is composed of about thirty pieces, watercolour and acrylic on canvas and paper, by a medium size of 110x110 cm.
Bio artiste/
Baptiste Laurent (1980, Nantes) is a visual artist who live and work
in Madrid and Paris.
He has exhibited at various artistic and cultural institutions,
including the Institut français de Madrid, Le Palais de Tokyo, Galeria
La Caja, Esquina Nua, Espacio Seara, Gazzambo Gallery, Alliance
française, Museo Nacional de Antropología, Galeria FL.
His traditional medium is painting, but he also works in sculpture
and develops projects with a strong literary, social and
anthropological component.
In his latest publications and exhibitions, "Conversaciones y
puñetazos", "Mauvaises Tournures", "Bajo el Mismo Mar" and "Exit",
he has repeatedly experimented with collaborative creative work
with other visual artists and literary authors.
As an anti-academic and eclectic artist, he likes to syncretise
pictorial styles, oscillating between neo-figurative narrative, graphic
painting and expressionist abstraction.
Founder of the 'Latolier' shared studio in Madrid's Usera district, he
leads a dynamic community of Spanish and international visual
artists.
Seller's Story
"Porte N&B patern" (Exit serie), 110x110cm", XXL, acrylic, posca on paper, 2018
Signed on back. Sold unframed, shipped rolled.
@baptiste___laurent
Exit /2018-2019
“Exit”, is an exhibition whose start takes place in three exhibitions at the National Anthropological Museum of Madrid, the Alliance Française in Madrid, and the Gazzambo Gallery. Balanced between paintings and sculptures, the Exit series aims to make a pictorial and imaginary story of the exile's journey, the successive exile and even its possible success.
The sculptures were produced around a workshop of the anthropological museum in Madrid, with the help of Senegalese immigrants in Spain. Mame Mbaye (one of the participants of this workshop), street vendor, died of a heart attack when he was chased by the police in the streets of Madrid. This dramatic event provoked a popular revolt in the district of Lavapiés. The Senegalese workshop of the museum and I wanted to pay homage to him, and to immigrants who live the same lives.
Wanting to previously refer to the collection of plaster molds of indigenous faces exhibited in the anthropology museum, this is an opposition between portraits of the present immigrants, and inherited scientific sculptures from the colonial past. This confrontation is contrasted with the formal evocations of social scientist sculpture, traditional ceramic sculpture, the mortuary mask, the orientalist arts, or the trophy. The impact caused by this mixture of contradictory effects tries to reflect the paradoxes that Europe has with the reception reserved for refugees.
Without the rigor that characterizes the approach of the anthropologist or ethnologist scientist, but imitating its processes, my approach would like to provoke a new kind of view of the foreigner faces, intending to sketch a subjective sample of new human figures living in Europe.
The series of works under the title “Exit” includes a sculpture work and a painting work. Paintings made in 2018, try to evoke dreams of the traveller in the journey of exile. Sometimes considered as a tapestry pattern, sometimes as a window, and almost always on a square format, the series is composed of about thirty pieces, watercolour and acrylic on canvas and paper, by a medium size of 110x110 cm.
Bio artiste/
Baptiste Laurent (1980, Nantes) is a visual artist who live and work
in Madrid and Paris.
He has exhibited at various artistic and cultural institutions,
including the Institut français de Madrid, Le Palais de Tokyo, Galeria
La Caja, Esquina Nua, Espacio Seara, Gazzambo Gallery, Alliance
française, Museo Nacional de Antropología, Galeria FL.
His traditional medium is painting, but he also works in sculpture
and develops projects with a strong literary, social and
anthropological component.
In his latest publications and exhibitions, "Conversaciones y
puñetazos", "Mauvaises Tournures", "Bajo el Mismo Mar" and "Exit",
he has repeatedly experimented with collaborative creative work
with other visual artists and literary authors.
As an anti-academic and eclectic artist, he likes to syncretise
pictorial styles, oscillating between neo-figurative narrative, graphic
painting and expressionist abstraction.
Founder of the 'Latolier' shared studio in Madrid's Usera district, he
leads a dynamic community of Spanish and international visual
artists.
