Giuseppe Marino (1956) - Iceberg A





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Iceberg A by Giuseppe Marino (1956), a 2023 limited edition giclée with hand-applied pastel interventions on 400 g/m² art paper, a multicolour contemporary seascape measuring 63 × 43 cm, signed on the front and back, with a Certificate of Authenticity, edition 01 of 20, produced in Italy and sold by Galleria.
Description from the seller
Combined shipping: if you buy multiple works in the same Auction, you pay only one shipping.
“Iceberg"
Giclée print with hand interventions using pastels on 400 g/m² art paper, edition of 20 numbered from 01 to 20, year 2023. Artist's signature on the front and back. With Certificate of Authenticity
Giuseppe Marino was born in 1956 in Teramo; in his long artistic career he has produced important cycles, such as post-estroflessione, the investigation into the very matter that composes the work, the influence of spatialism; subsequently the abstract figuration that has exalted the chromatic impact and the dreamlike immersion of the viewer. The latest series of luminous and colorful paintings by Marino, and the immersion in his positive and optimistic mindset, are incredibly refreshing. The artist has always needed a very critical eye; he has modified his production, choosing among different versions of the same painting the one that best achieves the desired effect. The clarity and confidence of the new paintings that have recently been shown at international trade fair editions have demonstrated that his quality control is optimal and that his mastery of the expressive process is really very good.
Seller's Story
Combined shipping: if you buy multiple works in the same Auction, you pay only one shipping.
“Iceberg"
Giclée print with hand interventions using pastels on 400 g/m² art paper, edition of 20 numbered from 01 to 20, year 2023. Artist's signature on the front and back. With Certificate of Authenticity
Giuseppe Marino was born in 1956 in Teramo; in his long artistic career he has produced important cycles, such as post-estroflessione, the investigation into the very matter that composes the work, the influence of spatialism; subsequently the abstract figuration that has exalted the chromatic impact and the dreamlike immersion of the viewer. The latest series of luminous and colorful paintings by Marino, and the immersion in his positive and optimistic mindset, are incredibly refreshing. The artist has always needed a very critical eye; he has modified his production, choosing among different versions of the same painting the one that best achieves the desired effect. The clarity and confidence of the new paintings that have recently been shown at international trade fair editions have demonstrated that his quality control is optimal and that his mastery of the expressive process is really very good.

