Ramón Alejandro - Les Poinçons de John Baskerville - Tirage de tête limité et signé





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Ramón Alejandro is the artist of Les Poinçons de John Baskerville, a limited, signed tirage de tête edition (30/60) from 1990 in Angers, France, featuring three lithographs including two interior plates signed by the artist and a cover lithograph, with 48 pages in loose leaves and a full cloth case.
Description from the seller
Original deluxe edition by Pierre Laurendeau: The Ponces of John Baskerville.
The work includes three original lithographs by Ramón Alejandro, distributed as follows:
• Two interior lithographs (numbered and signed by the artist).
• The third lithograph which is directly used to form the book's cover.
Edition published in 1990 in Angers by the Compagnie des Indes Oniriques (associated with Éditions Deleatur).
Print run of 99 copies: this one bears the number 30/60.
48 pages, presented as sheets (unbound) protected in a full cloth case.
Very good condition.
> there is a very slight tear on the book's plastic protective cover.
The text takes the form of a literary fantasy in the manner of the 18th century.
"The style of the narrative and Ramón Alejandro's works rests on a play of cross-cut metaphors between the rigour of typographic art and the fantastical freedom of creation."
Original deluxe edition by Pierre Laurendeau: The Ponces of John Baskerville.
The work includes three original lithographs by Ramón Alejandro, distributed as follows:
• Two interior lithographs (numbered and signed by the artist).
• The third lithograph which is directly used to form the book's cover.
Edition published in 1990 in Angers by the Compagnie des Indes Oniriques (associated with Éditions Deleatur).
Print run of 99 copies: this one bears the number 30/60.
48 pages, presented as sheets (unbound) protected in a full cloth case.
Very good condition.
> there is a very slight tear on the book's plastic protective cover.
The text takes the form of a literary fantasy in the manner of the 18th century.
"The style of the narrative and Ramón Alejandro's works rests on a play of cross-cut metaphors between the rigour of typographic art and the fantastical freedom of creation."

