Labelled Nicolaus Amatus - - Violin - Unknown (No reserve price)

Type of instrument: Violin 4/4
Origin / School: France (Mirecourt, Vosges)
Era / Year of manufacture: Early 20th century (circa 1900–1920)
Interior label: Copy of Nicolaus Amatus Cremomen Hieronymi, Fil ac. Antonij Nenos Fecit 1659 (with "Napoli" mentioned)
Total length: 60.4 cm
Back length (body): 35.7 cm (overall body length: 35.5 cm)
Body width (upper bout): 21.0 cm
Vibrating length (scale length): 33.0 cm
Instrument weight: 380 g
Condition: Good overall condition, to be inspected/adjusted by a luthier
Inclusions: Original vintage hard case (used/worn), period bow (re-haft to be planned), old rosin box labeled “Présentation provisoire”
Description of the instrument
Beautiful French craft violin study piece made in Mirecourt at the beginning of the 20th century.
Construction & Wood: Spruce top with regular grain, back one-piece/two-piece maple slightly flamed, ribs and matching scroll. Original amber/dark honey varnish with natural shading and a lovely period patina.
Markings: It bears an apocryphal-era label: “Copy of Nicolaus Amatus Cremonen Hieronymi, Fil ac. Antonij Nenos Fecit 1659” as well as a stamp/mark “Napoli” visible inside.
Condition of the instrument: Structurally sound. No major cracks or obvious soundpost breaks on the top or back. Pegs, bridge, ebony fingerboard and tailpiece with integrated fine tuner. Stringing and setup to be reviewed for optimal playability.
Dimensions & Weight:
Total length: 60.4 cm
Body: 35.5 cm / Back: 35.7 cm
Body width: 21 cm
Scale length: 33 cm
Weight: 380 g (violin only)
Accessories: Supplied complete with its antique ebony/nacre upgrade bow (windings to be replaced), its rigid transport case from the period with a leather-like finish (original latches, wear/damage), and its old rosin box with suede interior.
Photos complete the description
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The violins and bows described as 'certified' or 'attributed' include images of their certificates and are therefore considered to carry a higher documented degree of certainty regarding their maker, origin, and age compared with instruments described only as 'labelled' (violin) or 'stamped' (bows), for which we offer no guarantee