Japan - Sword guard - Edo Period

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Original Edo Period Japanese iron tsuba with brass inlay, titled Hana-Kiri Zu Zogan Tsuba, attributed to Heianjo Zogan and accompanied by NBTHK certificate of authenticity (Certificate No. 12300102), measuring approximately 79.9 × 85.4 mm and 4.4 mm thick and weighing about 140 g.

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Description from the seller

This is an antique Japanese iron tsuba decorated with floral and paulownia motifs in brass inlay.

According to the accompanying appraisal certificate issued by the NBTHK (Nihon Bijutsu Token Hozon Kyokai), the piece is described as a “Hana-Kiri Zu Zogan Tsuba” — a tsuba with floral and paulownia design in inlay.

It is unsigned and attributed to Heianjo Zogan workmanship. The certificate describes the tsuba as iron with brass inlay.

At first glance, what attracts the eye is the beautiful contrast between the dark iron surface and the warm golden tone of the brass decoration.

Iron is strong and hard, a material associated with the world of the warrior.

Yet upon that iron, the craftsman chose to create flowers and graceful vines.

Strength and beauty.
Iron and flowers.
The warrior and the tenderness of nature.

These contrasting elements coexist within this small work of Japanese metal art.

The Paulownia and a Japanese Family Story

There is an old story traditionally told in Japan about the paulownia tree and the birth of a daughter.

When a daughter was born, a family would plant a paulownia tree. Paulownia grows relatively quickly, and by the time the daughter reached adulthood and was ready to marry, the tree could provide wood for furniture associated with her new life, such as a traditional tansu chest.

Whether practiced universally or not, the story has survived because of the beautiful idea behind it:

a tree growing together with a daughter.

A small sapling and a small child begin their lives together.

Year after year, the father watches both grow.

Eventually, the daughter becomes a woman and leaves her parents' home to begin a family of her own.

With this Japanese tradition in mind, this tsuba invites another story.

What If the Samurai Was Also a Father?

We do not know who originally commissioned or carried this tsuba.

But imagine, for a moment, that its owner had a daughter.

Whenever he left his home for his duties and placed his hand upon his sword, he would not have touched only cold iron.

There, on the guard of his sword, were flowers and paulownia.

Perhaps they reminded him of a paulownia tree growing at home — and of a daughter growing beside it.

Perhaps, before leaving, he looked at this design and silently thought:

“May I return home safely and watch her grow into adulthood.”

This is not a historical claim about this particular tsuba. No surviving document tells us who commissioned it or what personal meaning its first owner gave to its design.

It is simply one story that the combination of this tsuba's documented paulownia motif and an old Japanese family tradition allows us to imagine.

Flowers That Never Withered

Real flowers bloom and eventually fall.

Leaves grow, change with the seasons, and disappear.

Generations of people have also come and gone.

Yet the flowers created by the craftsman on this iron surface are still here.

The warrior who once carried such a sword has disappeared into history. His family, his home and his personal memories are unknown to us.

But the flowers remain.

Perhaps this is one reason why an object originally created as part of a weapon can, centuries later, be appreciated as a work of art — and as a small window into the human lives that existed behind the samurai.

A sword may have belonged to a warrior, but the flowers on its guard may have belonged to his heart.

Appraisal certificate:
NBTHK (Nihon Bijutsu Token Hozon Kyokai)
Certificate No. 12300102
Dated February 16, 2001

Certificate description:
Hana-Kiri Zu Zogan Tsuba
Unsigned
Attributed to Heianjo Zogan
Iron ground with brass inlay

Dimensions:
Approx. 79.9 × 85.4 mm
Thickness: approx. 4.4 mm

Weight:
140 g

Included:
Wooden tsuba box
NBTHK appraisal certificate

Condition:
The tsuba shows natural age-related patina, wear and surface changes consistent with an antique Japanese sword fitting.

The accompanying wooden box has a crack and evidence of an old adhesive repair. This condition concerns the box, not the tsuba itself.

Please examine all photographs carefully, as they form an important part of the description.

This is an antique Japanese iron tsuba decorated with floral and paulownia motifs in brass inlay.

According to the accompanying appraisal certificate issued by the NBTHK (Nihon Bijutsu Token Hozon Kyokai), the piece is described as a “Hana-Kiri Zu Zogan Tsuba” — a tsuba with floral and paulownia design in inlay.

It is unsigned and attributed to Heianjo Zogan workmanship. The certificate describes the tsuba as iron with brass inlay.

At first glance, what attracts the eye is the beautiful contrast between the dark iron surface and the warm golden tone of the brass decoration.

Iron is strong and hard, a material associated with the world of the warrior.

Yet upon that iron, the craftsman chose to create flowers and graceful vines.

Strength and beauty.
Iron and flowers.
The warrior and the tenderness of nature.

These contrasting elements coexist within this small work of Japanese metal art.

The Paulownia and a Japanese Family Story

There is an old story traditionally told in Japan about the paulownia tree and the birth of a daughter.

When a daughter was born, a family would plant a paulownia tree. Paulownia grows relatively quickly, and by the time the daughter reached adulthood and was ready to marry, the tree could provide wood for furniture associated with her new life, such as a traditional tansu chest.

Whether practiced universally or not, the story has survived because of the beautiful idea behind it:

a tree growing together with a daughter.

A small sapling and a small child begin their lives together.

Year after year, the father watches both grow.

Eventually, the daughter becomes a woman and leaves her parents' home to begin a family of her own.

With this Japanese tradition in mind, this tsuba invites another story.

What If the Samurai Was Also a Father?

We do not know who originally commissioned or carried this tsuba.

But imagine, for a moment, that its owner had a daughter.

Whenever he left his home for his duties and placed his hand upon his sword, he would not have touched only cold iron.

There, on the guard of his sword, were flowers and paulownia.

Perhaps they reminded him of a paulownia tree growing at home — and of a daughter growing beside it.

Perhaps, before leaving, he looked at this design and silently thought:

“May I return home safely and watch her grow into adulthood.”

This is not a historical claim about this particular tsuba. No surviving document tells us who commissioned it or what personal meaning its first owner gave to its design.

It is simply one story that the combination of this tsuba's documented paulownia motif and an old Japanese family tradition allows us to imagine.

Flowers That Never Withered

Real flowers bloom and eventually fall.

Leaves grow, change with the seasons, and disappear.

Generations of people have also come and gone.

Yet the flowers created by the craftsman on this iron surface are still here.

The warrior who once carried such a sword has disappeared into history. His family, his home and his personal memories are unknown to us.

But the flowers remain.

Perhaps this is one reason why an object originally created as part of a weapon can, centuries later, be appreciated as a work of art — and as a small window into the human lives that existed behind the samurai.

A sword may have belonged to a warrior, but the flowers on its guard may have belonged to his heart.

Appraisal certificate:
NBTHK (Nihon Bijutsu Token Hozon Kyokai)
Certificate No. 12300102
Dated February 16, 2001

Certificate description:
Hana-Kiri Zu Zogan Tsuba
Unsigned
Attributed to Heianjo Zogan
Iron ground with brass inlay

Dimensions:
Approx. 79.9 × 85.4 mm
Thickness: approx. 4.4 mm

Weight:
140 g

Included:
Wooden tsuba box
NBTHK appraisal certificate

Condition:
The tsuba shows natural age-related patina, wear and surface changes consistent with an antique Japanese sword fitting.

The accompanying wooden box has a crack and evidence of an old adhesive repair. This condition concerns the box, not the tsuba itself.

Please examine all photographs carefully, as they form an important part of the description.

Details

Era
1400-1900
Over 200 years old
No
Country of origin
Japan
Condition
Good
Dynastic style/period
Edo Period (1600-1868)
Military Context
Yes
Estimated period
Edo Period
Authenticity
Original/official
Comes with certificate of authenticity
Yes
JapanVerified
2
Objects sold
pro

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