Max Modolo - circLe

More information at www.maxmodolo.com

Kinetic and minimalist artwork made entirely with cardboard sheets of different thicknesses and colors, cut and layered by hand to create a suggestive three-dimensional effect. The work is mounted on a rigid support and protected by a natural wood frame.

Title: circLe

Technique: Hand-cut, layered cardboard sheets

Dimensions: about 50 × 50 cm (including the frame)

Frame: Natural light wood of substantial thickness

Description:

This work, realized with layered cardboard sheets, masterfully uses real light as a fundamental constitutive element, transforming a two-dimensional appearance into a perceptual kinetic sculpture.

The technique of overlapping paper layers generates a true bas-relief sculpture. Each ring protrudes slightly over the one beneath it, creating small "steps" that intercept the light. Light coming from above or from the side produces sharp and graduated shadows on the inner edges of each circle. These shadows are not static: they vary in intensity and length depending on the angle of the light source and the observer’s position. Result: the work "breathes" and constantly changes, almost like a kinetic artwork without mechanical parts.

Thanks to the light, there is a strong optical retreat effect toward the center. The progressive shadows push the gaze inward, reinforcing the sense of a vortex or concentric expansion. In diffuse lighting (typical of a gallery or a modern home) the work appears softer and more painterly. Under directional light (e.g., angled spotlights) it becomes dramatic and almost architectural.

This is a site-responsive work: its appearance changes radically based on:
- Light intensity
- Angle of incidence
- Color temperature of the light (warm light enhances orange/yellow tones; cool light highlights shadow contrasts)
- Time of day (if placed near a window)

The artist does not merely "represent" light but uses it as a primary material.

The true material of the work is not only colored paper but the duo of paper + light. With the right light it becomes a hypnotic, almost living object. It is an excellent example of how contemporary art can use humble materials (simple cardboard) to create sophisticated perceptual experiences related to light and space.

Technique:
Each ring was made with artisanal precision, with clean edges and calibrated overlays to achieve the maximum volumetric effect. The work is mounted on a rigid support and protected by a natural wood frame.

Max Modolo produces these works in his studio in Italy.
His research in applied arts spans ceramics, wood, resins and plastic materials, painting and modern expressive 3D techniques. He is passionate about the work of Gerrit Rietveld, Memphis Group, Mangiarotti, Sottsass, Mendini, Cibic, Bitossi, De Lucchi, Friberg, Zanuso, Fornasetti, , Rörstrand, Gio Ponti, Campi, Fontana and of pop art, geometric art, Scandinavian design, optical art, contemporary sculpture, minimalism, modern art, De Stijl, Pop Art.