Manuel Solà (1950) - Cap nº 12





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Manuel Solà (born 1950) from Spain presents Cap nº 12, a contemporary recycled iron and stone sculpture from 1998, measuring 57 x 30 x 18 cm and weighing about 15 kg, unsigned, crafted from forged iron and river stones, with a certificate of authenticity and delivered in a wooden crate.
Description from the seller
Manuel Solà, Barcelona, 1950
Piece Cap No. 12, sculpture iron and stone, Year 1998, Dimensions 57 x 30 x 18 cm. Approximate weight: 15 kg.
Artist represented by the Espai Art60 gallery in Sant Joan de les Abadesses, Girona, Spain
Includes certificate of authenticity
Condition of the piece: Good
The piece is delivered in a wooden box and insured against loss or damage
About the artist:
Manuel Solà (Barcelona, 1950) trained at the Escola Llotja in Barcelona. His artistic development has led him from painting to sculpture.
His pieces are not molded, but built from found objects that he rarely modifies. Rusted irons, washers, hinges or remnants of field tools coexist with stones from different origins: stones from the Saharan hamada, volcanic stones from the island of Gran Canaria and river pebbles.
Solà combines them little by little, without a predefined scheme, until the form appears.
Thus arise figures with an archaic air, influenced by ancient Greek sculpture, speaking of memory, migration and return to the origins.
Currently he is represented by the Espai Art60 gallery in Sant Joan de les Abadesses, Girona, Spain.
Seller's Story
Manuel Solà, Barcelona, 1950
Piece Cap No. 12, sculpture iron and stone, Year 1998, Dimensions 57 x 30 x 18 cm. Approximate weight: 15 kg.
Artist represented by the Espai Art60 gallery in Sant Joan de les Abadesses, Girona, Spain
Includes certificate of authenticity
Condition of the piece: Good
The piece is delivered in a wooden box and insured against loss or damage
About the artist:
Manuel Solà (Barcelona, 1950) trained at the Escola Llotja in Barcelona. His artistic development has led him from painting to sculpture.
His pieces are not molded, but built from found objects that he rarely modifies. Rusted irons, washers, hinges or remnants of field tools coexist with stones from different origins: stones from the Saharan hamada, volcanic stones from the island of Gran Canaria and river pebbles.
Solà combines them little by little, without a predefined scheme, until the form appears.
Thus arise figures with an archaic air, influenced by ancient Greek sculpture, speaking of memory, migration and return to the origins.
Currently he is represented by the Espai Art60 gallery in Sant Joan de les Abadesses, Girona, Spain.

