Hubert Duprilot - 2026 acrylique sur papier (21x29,7cm)






Over 10 years' experience in art trade and previously founded his own gallery.
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Hubert Duprilot, 2026 acrylic on paper (21×29.7 cm), original edition, signed by hand, a portrait in the expressionist style, country of origin France, excellent condition, sold directly from the artist.
Description from the seller
Hubert Duprilot was born in Tours (France) in 1975.
2026, acrylic on paper (21x29.7 cm) "signed bottom right and on the back"
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a portion of hope in a world that is sometimes dark and uncertain. His work questions our condition, our fears, but also our ability to create connection and to reinvent ourselves.
For several years, convinced that traditional exhibitions demand a lot of time and energy to reach an audience that is often limited and initiated, Hubert Duprilot has chosen to invest the urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to be inscribed in the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space thus becomes an open-air gallery where art enters daily life, prompting questions, emotions and encounters.
Hubert Duprilot was born in Tours (France) in 1975.
2026, acrylic on paper (21x29.7 cm) "signed bottom right and on the back"
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a portion of hope in a world that is sometimes dark and uncertain. His work questions our condition, our fears, but also our ability to create connection and to reinvent ourselves.
For several years, convinced that traditional exhibitions demand a lot of time and energy to reach an audience that is often limited and initiated, Hubert Duprilot has chosen to invest the urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to be inscribed in the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space thus becomes an open-air gallery where art enters daily life, prompting questions, emotions and encounters.
