Tijs Dragtsma (1992) - Void. A Horn Held in Points

03
days
18
hours
31
minutes
46
seconds
Starting bid
€ 1
Reserve price not met
Maurizio Buquicchio
Expert
Selected by Maurizio Buquicchio

Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.

Gallery Estimate  € 2,900 - € 3,500
No bids placed

Catawiki Buyer Protection

Your payment’s safe with us until you receive your object.View details

Trustpilot 4.4 | 142857 reviews

Rated Excellent on Trustpilot.

Tijs Dragtsma, Void. A Horn Held in Points, a 2026 signed mixed media artwork in 51 × 51 cm, original edition, sold with frame, produced in the Netherlands and sold direct from the artist.

AI-assisted summary

Description from the seller

A rhinoceros does not announce itself. It arrives slowly, the way weight arrives, the way old things arrive, and here it is held almost entirely in light. The head and shoulder gather into a dense field of depth, while the far side of the body thins until it is barely a suggestion, then gone. One leg stands firm in the field. The other has already stepped into the dark and is not given back.

Nothing here was added. No paint, no print, no ink. The folds of the skin, the curve of the ear, the single eye set like a quiet stone, all of it is built from a field of individual marks, voids in the surface that only resolve into form when light finds them from above. Turn the light, change your distance, and the animal softens back toward absence.

From across a room the work is monumental and still, a silhouette standing in its own quiet. Walk closer and the silhouette breaks into a field of depth, point by point, the way skin itself is made of small things repeated until they read as hide, as armor, as age.

The horn carries the piece. It is drawn with the fewest marks of all, tapering into near nothing at its tip, as if the animal's whole bearing is concentrated into one line of light held against the dark. An old symbol of strength that has always also marked it for harm, shown here as something that could vanish as easily as it appears.

This is a study of mass without weight, of armor built from air. The rhinoceros has outlived ages it was never meant to survive, and the work treats that endurance the way it treats the body itself, as something present only because the dark has, for now, let it be seen.

A Horn Held in Points continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. A visual language where absence is not emptiness, but presence.

"What remains is only what the light was willing to give back."

About Art with Void

Art with Void is a body of work in which the image is not built through addition. but revealed through absence.

From a distance. the image is unmistakable. Strong. clear and immediately present. Yet up close. the work transforms. The viewer discovers a surface composed of precisely carved micro voids in high quality acrylic glass. What seemed whole and still from afar becomes detailed. delicate and deeply structured.

Light is essential to the work. In daylight. reflections shift and the image changes subtly with its environment. In darkness. under a focused spotlight. the acrylic glass comes fully alive. Depth intensifies. reflections sharpen. and the image takes on an almost magical presence.

This interplay between distance and proximity. image and structure. stillness and transformation lies at the heart of Art with Void. It is a visual language built on reduction. yet rich in atmosphere. precision and presence.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

A rhinoceros does not announce itself. It arrives slowly, the way weight arrives, the way old things arrive, and here it is held almost entirely in light. The head and shoulder gather into a dense field of depth, while the far side of the body thins until it is barely a suggestion, then gone. One leg stands firm in the field. The other has already stepped into the dark and is not given back.

Nothing here was added. No paint, no print, no ink. The folds of the skin, the curve of the ear, the single eye set like a quiet stone, all of it is built from a field of individual marks, voids in the surface that only resolve into form when light finds them from above. Turn the light, change your distance, and the animal softens back toward absence.

From across a room the work is monumental and still, a silhouette standing in its own quiet. Walk closer and the silhouette breaks into a field of depth, point by point, the way skin itself is made of small things repeated until they read as hide, as armor, as age.

The horn carries the piece. It is drawn with the fewest marks of all, tapering into near nothing at its tip, as if the animal's whole bearing is concentrated into one line of light held against the dark. An old symbol of strength that has always also marked it for harm, shown here as something that could vanish as easily as it appears.

This is a study of mass without weight, of armor built from air. The rhinoceros has outlived ages it was never meant to survive, and the work treats that endurance the way it treats the body itself, as something present only because the dark has, for now, let it be seen.

A Horn Held in Points continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. A visual language where absence is not emptiness, but presence.

"What remains is only what the light was willing to give back."

About Art with Void

Art with Void is a body of work in which the image is not built through addition. but revealed through absence.

From a distance. the image is unmistakable. Strong. clear and immediately present. Yet up close. the work transforms. The viewer discovers a surface composed of precisely carved micro voids in high quality acrylic glass. What seemed whole and still from afar becomes detailed. delicate and deeply structured.

Light is essential to the work. In daylight. reflections shift and the image changes subtly with its environment. In darkness. under a focused spotlight. the acrylic glass comes fully alive. Depth intensifies. reflections sharpen. and the image takes on an almost magical presence.

This interplay between distance and proximity. image and structure. stillness and transformation lies at the heart of Art with Void. It is a visual language built on reduction. yet rich in atmosphere. precision and presence.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

Details

Sold with frame
Yes
Sold by
Direct from the artist
Edition
Original
Artist
Tijs Dragtsma (1992)
Title of artwork
Void. A Horn Held in Points
Technique
Mixed media
Signature
Signed
Country of origin
Netherlands
Year
2026
Condition
Excellent condition
Height
51 cm
Width
51 cm
Style
Contemporary
Period
2020+
The NetherlandsVerified
267
Objects sold
100%
protop

Similar objects

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​

For you in

Modern & Contemporary Art

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​