Catalan School (c.1950) - Lady with a Hat





Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 142824 reviews
Rated Excellent on Trustpilot.
Description from the seller
1. TECHNICAL DATA
Author: Catalan School
Period: First half of the 20th century, c. 1930–1950
Proposed title: Lady with hat
Technique: Pastel on paper
Dimensions of the artwork: 60 × 70 cm approx.
Dimensions with frame: 77 × 88 cm approx.
Signature: Presents a very faint inscription or signature on the lower left margin, currently difficult to read.
Support: Paper
Presentation: Framed under glass, with an ornate gold frame.
Condition: Good overall state considering its age and technique. Small superficial alterations and signs of the passage of time can be observed. The work has not been examined outside its frame.
2. DESCRIPTION
Elegant female portrait executed in pastel, belonging to the Catalan school of the first half of the 20th century.
The composition depicts a half-body young woman, wearing a wide black and gray hat, whose silhouette is cut against a background built with large color masses.
The figure, partially nude, directs her gaze towards the viewer with a serene and confident expression.
The work combines a very careful rendering of the face with a much freer execution of the hat, the clothing, and the background, creating an attractive contrast between figurative precision and pictorial spontaneity.
3. STYLISTIC AND COMPOSITIVE ANALYSIS
The painting responds to a sensibility typical of European portraiture in the interwar period and the decades immediately following.
The face is modeled through soft tonal transitions, with special attention to the eyes, lips, and skin tone.
In contrast, the surroundings are resolved with broad pastel masses, where whites, yellows, grays, ochers, and blacks are overlaid with great freedom.
The hat constitutes one of the main plastic elements of the composition.
Its wide, sinuous shape generates a strong diagonal structure around the face, while the red circle at the top introduces a color accent of great intensity.
The composition alternates between meticulously finished areas and others deliberately open and sketchy, a solution characteristic of much of 20th-century modern portraiture.
4. PSYCHOLOGICAL DIMENSION
The figure conveys notable presence.
The frontal, calm, slightly distant gaze makes the portrait something more than a simple decorative representation.
The position of the arm and hand on the torso introduces a gesture of intimacy and introspection, while the large hat adds sophistication and theatricality.
There is an interesting balance between sensuality and elegance.
Partial nudity does not dominate the composition, but functions as part of an image built around the personality and attitude of the model.
5. SIGNATURE AND AUTHORSHIP HYPOTHESIS
In the lower left area there is a pencil or dark pastel inscription.
The handwriting is very faded and does not currently allow a sufficiently secure reading to associate it with a specific artist.
As a precaution, the work is catalogued as Catalan School.
From a stylistic point of view, the combination of academic drawing, delicate treatment of the female figure, simplification of the background, and expressive use of pastel reasonably place it within the Catalan sphere of the first half of the 20th century.
6. OTHER INTERESTING DATA
The work is especially interesting for the quality of the facial treatment.
The eyes are constructed through subtle gradations of black, gray, and green, while the pink tones of cheeks and lips add warmth to a composition dominated by neutral colors.
Pastel also allows direct observation of the artist's gesturality.
In numerous areas the pigment traces, blurs, and color overlays remain visible.
The contrast between the defined figure and the almost abstract freedom of the background connects the work with a modern aesthetic close to European decorative portraiture of the 1930s and 1940s.
The large format — approximately 60 × 70 cm — considerably increases its visual presence.
7. SHIPMENT AND CONDITIONS
The work will be shipped by a professional specialized company.
A custom-made box and foam protections will be used to ensure maximum safety during transport.
We offer international shipping to anywhere in the world.
Due to size, weight, and protection by glass, certain destinations may incur an additional packaging and transport surcharge.
Additional costs arising from oversized shipments or destinations outside the European Union will be borne by the buyer.
The frame is included as a courtesy with the work and will not be subject to claims.
Seller's Story
1. TECHNICAL DATA
Author: Catalan School
Period: First half of the 20th century, c. 1930–1950
Proposed title: Lady with hat
Technique: Pastel on paper
Dimensions of the artwork: 60 × 70 cm approx.
Dimensions with frame: 77 × 88 cm approx.
Signature: Presents a very faint inscription or signature on the lower left margin, currently difficult to read.
Support: Paper
Presentation: Framed under glass, with an ornate gold frame.
Condition: Good overall state considering its age and technique. Small superficial alterations and signs of the passage of time can be observed. The work has not been examined outside its frame.
2. DESCRIPTION
Elegant female portrait executed in pastel, belonging to the Catalan school of the first half of the 20th century.
The composition depicts a half-body young woman, wearing a wide black and gray hat, whose silhouette is cut against a background built with large color masses.
The figure, partially nude, directs her gaze towards the viewer with a serene and confident expression.
The work combines a very careful rendering of the face with a much freer execution of the hat, the clothing, and the background, creating an attractive contrast between figurative precision and pictorial spontaneity.
3. STYLISTIC AND COMPOSITIVE ANALYSIS
The painting responds to a sensibility typical of European portraiture in the interwar period and the decades immediately following.
The face is modeled through soft tonal transitions, with special attention to the eyes, lips, and skin tone.
In contrast, the surroundings are resolved with broad pastel masses, where whites, yellows, grays, ochers, and blacks are overlaid with great freedom.
The hat constitutes one of the main plastic elements of the composition.
Its wide, sinuous shape generates a strong diagonal structure around the face, while the red circle at the top introduces a color accent of great intensity.
The composition alternates between meticulously finished areas and others deliberately open and sketchy, a solution characteristic of much of 20th-century modern portraiture.
4. PSYCHOLOGICAL DIMENSION
The figure conveys notable presence.
The frontal, calm, slightly distant gaze makes the portrait something more than a simple decorative representation.
The position of the arm and hand on the torso introduces a gesture of intimacy and introspection, while the large hat adds sophistication and theatricality.
There is an interesting balance between sensuality and elegance.
Partial nudity does not dominate the composition, but functions as part of an image built around the personality and attitude of the model.
5. SIGNATURE AND AUTHORSHIP HYPOTHESIS
In the lower left area there is a pencil or dark pastel inscription.
The handwriting is very faded and does not currently allow a sufficiently secure reading to associate it with a specific artist.
As a precaution, the work is catalogued as Catalan School.
From a stylistic point of view, the combination of academic drawing, delicate treatment of the female figure, simplification of the background, and expressive use of pastel reasonably place it within the Catalan sphere of the first half of the 20th century.
6. OTHER INTERESTING DATA
The work is especially interesting for the quality of the facial treatment.
The eyes are constructed through subtle gradations of black, gray, and green, while the pink tones of cheeks and lips add warmth to a composition dominated by neutral colors.
Pastel also allows direct observation of the artist's gesturality.
In numerous areas the pigment traces, blurs, and color overlays remain visible.
The contrast between the defined figure and the almost abstract freedom of the background connects the work with a modern aesthetic close to European decorative portraiture of the 1930s and 1940s.
The large format — approximately 60 × 70 cm — considerably increases its visual presence.
7. SHIPMENT AND CONDITIONS
The work will be shipped by a professional specialized company.
A custom-made box and foam protections will be used to ensure maximum safety during transport.
We offer international shipping to anywhere in the world.
Due to size, weight, and protection by glass, certain destinations may incur an additional packaging and transport surcharge.
Additional costs arising from oversized shipments or destinations outside the European Union will be borne by the buyer.
The frame is included as a courtesy with the work and will not be subject to claims.

