Annie St. John Partridge (1855–1936) - Invierno






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Invierno, an oil painting by Annie St. John Partridge (1855–1936), a British Impressionist landscape from the 19th century, origin United Kingdom, sold with frame.
Description from the seller
Title: Winter
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School: British Impressionist School (late 19th – early 20th century)
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Author: Anne St. John Partridge (1855–1936)
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Style: Impressionism
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Technique: Oil on panel
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Condition: Generally good state of conservation consistent with its age. It has undergone restorations.
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Circle and artistic influence:
The work is inscribed within the late 19th and early 20th century British landscape tradition, with evident affinities to European Impressionism and plein air painting. The loose brushwork, simplification of forms and interest in reproducing atmospheric and luminous effects suggest an assimilation of approaches developed by French Impressionism, adapted to a more sober and tonal English landscape sensibility. The composition also maintains links with the British naturalist tradition, especially in the treatment of trees, the road’s perspective and the construction of depth through chromatic variations.
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Anne St. John Partridge (1855–1936) was a British painter active from the late 19th to the early 20th century, primarily associated with landscape painting. Her production is characterized by a special interest in nature, seasonal changes and atmospheric effects, with a progressively freer and brighter technique influenced by the Impressionist currents that transformed European painting during that period.
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The composition depicts a wintry landscape dominated by a line of trees that structures the scene vertically and guides the gaze toward the background. The trunks, treated with broad, impasted brushstrokes in cream, gray, ocher and brown tones, stand out against a cool atmosphere of blue-dominated and grayish hues. The ground appears covered by a light layer of snow or frost, reflected by broken patches of white, blue and gray.
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To the left, a stretch of water or riverside can be discerned, reinforcing the sense of openness and depth, while the path extends toward the distance with a marked perspective. The spontaneous execution, visible brushwork and the predominance of light values over descriptive detail give the work a notable atmospheric feel, characteristic of landscape Impressionist painting.
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The work is presented with a dark wooden frame of wide, molded profile, accompanied by a beige textile corset and a fine inner gold edge. The set offers a classic presentation and provides contrast to the painting’s cool color range.
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Observations:
The artwork may incur damage during transport even with proper packaging. In that case, we will require photographs of the damages to proceed with compensation. Customer satisfaction is always our priority.
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Exceptionally, shipping costs may be affected by a surcharge due to reasons such as being outside a continental territory, excessive dimensions or weight of the item. PremiArt will not be responsible for this surcharge under any circumstances.
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The courier required to cross the Swiss border can be much slower than usual, so, where possible, to speed up processing we will provide the customs number that is holding the shipment so the customer can release it and have it reach its destination. Experience has shown this is the most effective solution for both parties.
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Due to the high volume of shipments, orders may be delayed by more than three days, so we apologize and thank you for your patience. If you have any questions about your order, please contact us via internal messaging.
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Dimensions: 46 × 38 cm
Dimensions with frame: 66 × 58 cm
Title: Winter
ㅤ
School: British Impressionist School (late 19th – early 20th century)
ㅤ
Author: Anne St. John Partridge (1855–1936)
ㅤ
Style: Impressionism
ㅤ
Technique: Oil on panel
ㅤ
Condition: Generally good state of conservation consistent with its age. It has undergone restorations.
ㅤ
Circle and artistic influence:
The work is inscribed within the late 19th and early 20th century British landscape tradition, with evident affinities to European Impressionism and plein air painting. The loose brushwork, simplification of forms and interest in reproducing atmospheric and luminous effects suggest an assimilation of approaches developed by French Impressionism, adapted to a more sober and tonal English landscape sensibility. The composition also maintains links with the British naturalist tradition, especially in the treatment of trees, the road’s perspective and the construction of depth through chromatic variations.
ㅤ
Anne St. John Partridge (1855–1936) was a British painter active from the late 19th to the early 20th century, primarily associated with landscape painting. Her production is characterized by a special interest in nature, seasonal changes and atmospheric effects, with a progressively freer and brighter technique influenced by the Impressionist currents that transformed European painting during that period.
ㅤ
The composition depicts a wintry landscape dominated by a line of trees that structures the scene vertically and guides the gaze toward the background. The trunks, treated with broad, impasted brushstrokes in cream, gray, ocher and brown tones, stand out against a cool atmosphere of blue-dominated and grayish hues. The ground appears covered by a light layer of snow or frost, reflected by broken patches of white, blue and gray.
ㅤ
To the left, a stretch of water or riverside can be discerned, reinforcing the sense of openness and depth, while the path extends toward the distance with a marked perspective. The spontaneous execution, visible brushwork and the predominance of light values over descriptive detail give the work a notable atmospheric feel, characteristic of landscape Impressionist painting.
ㅤ
The work is presented with a dark wooden frame of wide, molded profile, accompanied by a beige textile corset and a fine inner gold edge. The set offers a classic presentation and provides contrast to the painting’s cool color range.
ㅤ
Observations:
The artwork may incur damage during transport even with proper packaging. In that case, we will require photographs of the damages to proceed with compensation. Customer satisfaction is always our priority.
ㅤ
Exceptionally, shipping costs may be affected by a surcharge due to reasons such as being outside a continental territory, excessive dimensions or weight of the item. PremiArt will not be responsible for this surcharge under any circumstances.
ㅤ
The courier required to cross the Swiss border can be much slower than usual, so, where possible, to speed up processing we will provide the customs number that is holding the shipment so the customer can release it and have it reach its destination. Experience has shown this is the most effective solution for both parties.
ㅤ
Due to the high volume of shipments, orders may be delayed by more than three days, so we apologize and thank you for your patience. If you have any questions about your order, please contact us via internal messaging.
ㅤ
Dimensions: 46 × 38 cm
Dimensions with frame: 66 × 58 cm
