Cup (2) - Porcelain - Jingdezhen





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Description from the seller
Description
Pair of porcelain cups from export Chinese porcelain, Jingdezhen, Qing dynasty, 18th century.
The exterior is entirely covered with a monochrome brown glaze of iron oxide, known as “café-au-lait,” “capucine” or Batavia brown — a decoration developed for the European market and disseminated by the Dutch East India Company (VOC) through its Batavia depot, present-day Jakarta, which gave its name to this type of production.
The interior is hand-painted in cobalt blue underglaze: a pavilion in a lakeside landscape framed by flowering prunus branches and fruiting vines running along the wall. The background features a blooming flower within a double circular border. The brushwork is free and confident, with blue washes characteristic of export painting from the first half of the 18th century.
The foot is unglazed, with a dense, creamy paste feel, showing the throwing irregularities and wood-fired kiln pinholes typical of period productions. No maker’s mark. Manually inscribed inventory tag under the foot.
Condition
Good overall condition for its age. One of the cups shows a tensile line in the base, regarded as an original firing defect rather than a crack. Light wear and small glaze specks on the body. No restoration. Sold without saucers.
Description
Pair of porcelain cups from export Chinese porcelain, Jingdezhen, Qing dynasty, 18th century.
The exterior is entirely covered with a monochrome brown glaze of iron oxide, known as “café-au-lait,” “capucine” or Batavia brown — a decoration developed for the European market and disseminated by the Dutch East India Company (VOC) through its Batavia depot, present-day Jakarta, which gave its name to this type of production.
The interior is hand-painted in cobalt blue underglaze: a pavilion in a lakeside landscape framed by flowering prunus branches and fruiting vines running along the wall. The background features a blooming flower within a double circular border. The brushwork is free and confident, with blue washes characteristic of export painting from the first half of the 18th century.
The foot is unglazed, with a dense, creamy paste feel, showing the throwing irregularities and wood-fired kiln pinholes typical of period productions. No maker’s mark. Manually inscribed inventory tag under the foot.
Condition
Good overall condition for its age. One of the cups shows a tensile line in the base, regarded as an original firing defect rather than a crack. Light wear and small glaze specks on the body. No restoration. Sold without saucers.

