Keith Haring (1958-1990) - International Volunteer Day





€1,500 | ||
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€160 | ||
€150 | ||
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Keith Haring’s International Volunteer Day, a colour lithograph on Arches paper, edition 826/1000, signed and dated 1988, printed by Emiliano Sorini for the World Federation of United Nations Associations, in excellent condition, measuring 21 cm by 27.9 cm and sold with its original frame.
Description from the seller
Color lithograph on Arches paper, published on 6 May 1988 by the World Federation of United Nations Associations (WFUNA) for International Volunteer Day, and printed by Emiliano Sorini.
Numbered 826/1000 in pencil at lower left, signed and dated "K. Haring 88" in pencil by the artist at lower right. Publisher's blindstamp.
Referenced in Klaus Littmann, Keith Haring, Editions on Paper 1982-1990, Edition Cantz, Stuttgart, 1993, p. 93.
Sold with its original certificate of authenticity issued by the publisher, dated 6 May 1988. The certificate is included in the lot and is shown in the photographs.
Acquired from a gallery and kept since then in its original frame (float mount under a mat). The work has not been examined outside its frame. No condition issues were noted during an examination by a Paris auction house. The yellow ground may appear slightly less saturated than in certain catalogue reproductions.
Shipped insured and tracked, in rigid packaging suitable for framed works.
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Color lithograph on Arches paper, edited on May 6, 1988 by the World Federation of United Nations Associations (WFUNA) for International Volunteer Day, and printed by Emiliano Sorini.
Numbered 826/1000 in pencil at the bottom left, signed and dated "K. Haring 88" in pencil by the artist at the bottom right. Publisher's blindstamp.
Referenced in Klaus Littmann, Keith Haring, Editions on Paper 1982-1990, Edition Cantz, Stuttgart, 1993, page 93.
Sold with its original certificate of authenticity issued by the publisher, dated May 6, 1988. The certificate accompanies the lot and is shown in the photographs.
Artwork acquired from a gallery and kept since then in its original framing (float mount under a mat). It has not been examined outside its frame. No condition issues were noted during an examination by a Parisian auction house. The yellow ground may appear slightly less saturated than in some catalogue reproductions.
Shipped insured with tracking, in rigid packaging suitable for framed works.
Color lithograph on Arches paper, published on 6 May 1988 by the World Federation of United Nations Associations (WFUNA) for International Volunteer Day, and printed by Emiliano Sorini.
Numbered 826/1000 in pencil at lower left, signed and dated "K. Haring 88" in pencil by the artist at lower right. Publisher's blindstamp.
Referenced in Klaus Littmann, Keith Haring, Editions on Paper 1982-1990, Edition Cantz, Stuttgart, 1993, p. 93.
Sold with its original certificate of authenticity issued by the publisher, dated 6 May 1988. The certificate is included in the lot and is shown in the photographs.
Acquired from a gallery and kept since then in its original frame (float mount under a mat). The work has not been examined outside its frame. No condition issues were noted during an examination by a Paris auction house. The yellow ground may appear slightly less saturated than in certain catalogue reproductions.
Shipped insured and tracked, in rigid packaging suitable for framed works.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Color lithograph on Arches paper, edited on May 6, 1988 by the World Federation of United Nations Associations (WFUNA) for International Volunteer Day, and printed by Emiliano Sorini.
Numbered 826/1000 in pencil at the bottom left, signed and dated "K. Haring 88" in pencil by the artist at the bottom right. Publisher's blindstamp.
Referenced in Klaus Littmann, Keith Haring, Editions on Paper 1982-1990, Edition Cantz, Stuttgart, 1993, page 93.
Sold with its original certificate of authenticity issued by the publisher, dated May 6, 1988. The certificate accompanies the lot and is shown in the photographs.
Artwork acquired from a gallery and kept since then in its original framing (float mount under a mat). It has not been examined outside its frame. No condition issues were noted during an examination by a Parisian auction house. The yellow ground may appear slightly less saturated than in some catalogue reproductions.
Shipped insured with tracking, in rigid packaging suitable for framed works.

