Marinus Adrianus I Koekkoek (1807–1868), Follower of - Canards au bord de l’eau - NO RESERVE
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Canards au bord de l’eau - NO RESERVE, a nineteenth‑century Dutch oil painting on panel depicting a romantic animal scene with ducks and their ducklings by a pond, signed M. A. Koekkoek and sold with frame.
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Description from the seller
Follower of M. A. Koekkoek – Ducks by the Pond – Oil on Panel
Interesting and delicate oil painting on panel from the Dutch school, signed “M. A. Koekkoek” in the lower right corner, depicting an animalist scene with ducks and their ducklings by the shore of a pond, within a landscape of lush vegetation.
The work is catalogued as a “Follower of M. A. Koekkoek,” since it has not been possible to establish with certainty whether its author is Marinus Adrianus I Koekkoek (1807–1868), Marinus Adrianus II Koekkoek (1873–1944), or another painter stylistically related to the artistic tradition of this family.
Both artists belonged to the renowned Dutch Koekkoek family of painters, especially linked to landscape, depictions of nature, and animal painting.
The coincidence of initials and surname in the signature, together with the stylistic affinities of the composition, argues for a cautious attribution. For this reason, the painting is expressly offered as a work by a follower, without guaranteeing its direct authorship by either of the two artists mentioned.
Description and artistic analysis
The composition represents an intimate animalist scene with ducks and their ducklings by the shore of a pond, in a natural setting with abundant vegetation.
The treatment of the birds, the delicacy of the reflections on the water, and the depiction of the landscape reveal a sensitivity connected to the Dutch naturalist tradition.
The brushwork is meticulous, especially in the plumage and in the small details of the vegetation.
The color palette is dominated by greens, ochres, browns, and earthy tones, with light contrasts that add depth to the scene.
The small yellow ducklings introduce a striking touch of light and color within the composition.
The painting conveys a tranquil, intimate atmosphere, characteristic of numerous animal scenes developed within the Romantic and naturalist tradition of the Netherlands.
The Koekkoek family and the Dutch pictorial tradition
The Koekkoek family is one of the most renowned artistic dynasties in Dutch painting of the 19th and 20th centuries.
Its different generations produced a substantial body of work devoted to landscape, rural scenes, nature, and the representation of animals.
Marinus Adrianus I Koekkoek (1807–1868) was born in Middelburg and was the son of the painter Johannes Hermanus Koekkoek (1778–1851), as well as the brother of the famous landscape painter Barend Cornelis Koekkoek (1803–1862).
His work relates to the Dutch Romantic tradition, characterized by attention to landscape, vegetation, and atmospheric effects.
Marinus Adrianus II Koekkoek (1873–1944) belonged to a later generation of the same family and developed an artistic career especially linked to the representation of animals and natural landscapes.
Animal painting occupied a prominent place within this tradition, particularly in the representations of birds and small animals integrated into their natural surroundings.
The present composition shares thematic and stylistic affinities with this body of work, especially in its attention to birds, vegetation, and light effects.
These characteristics allow relating it to the pictorial universe of the Koekkoek family, although they do not by themselves constitute conclusive proof of authorship.
Signature and cataloguing
The work bears a signature in the lower right corner, reading:
“M. A. Koekkoek”
This signature matches, in initials and surname, the names of Marinus Adrianus I Koekkoek (1807–1868) and Marinus Adrianus II Koekkoek (1873–1944).
However, the definitive identification of the author has not been established.
For this reason, and in order to offer a prudent and transparent cataloguing, the painting is sold as a “Follower of M. A. Koekkoek.”
This designation does not imply a confirmed attribution to either of the two artists, nor does it constitute a guarantee of the authenticity of the signature or of the direct involvement of either of them.
Frame and presentation
The painting is presented with a substantial historicist frame, richly ornamented and gilded, which complements the traditional aesthetics of the composition.
The frame shows signs of age and wear, with small losses and defects visible in the photographs.
The frame is included as a courtesy, with no commercial value, and is not part of the painting’s monetary assessment.
Careful examination of the photographs is recommended to assess the features and condition of the whole.
Artwork characteristics
Cataloging: Follower of M. A. Koekkoek.
Signature: “M. A. Koekkoek,” in the lower right corner.
Art references: Marinus Adrianus I Koekkoek (1807–1868) and Marinus Adrianus II Koekkoek (1873–1944).
School: Dutch.
Period: Romantic and naturalist Dutch painting tradition; exact dating not established.
Technique: Oil on panel.
Theme: Animalist landscape with ducks and their ducklings by the water.
Style: Dutch Romanticism and naturalism.
Frame dimensions: Approximately 33 × 29 cm.
Provenance: European private collection.
Presentation: Framed.
Condition report
The work shows a condition consistent with its age.
Careful examination of the photographs, which form an integral part of the description, is recommended to assess its condition and the visible characteristics of the whole.
Shipping
The work will be carefully and professionally packed, using protective materials suitable to its characteristics.
Shipments outside the European Union may be subject to taxes, duties, import fees, clearance costs, and customs procedures, which will be the buyer’s responsibility.
Also, shipments to islands, insular territories, or remote zones as deemed by the transport companies may incur additional surcharges, to be borne by the buyer.
Seller's Story
At ARTEMISA we specialize in the selection and auction of artworks, antiques, and collectible items, combining experience, passion, and special care in the choosing and presentation of each piece.
Throughout our journey we have assembled a catalog of more than 10,000 works, spanning a wide variety of schools, styles, and periods, with particular attention to painting and European art. The pieces mainly come from private collections and other selected sources, which allows us to maintain a broad, diverse, and continually renewing offering.
Each work is studied and presented with the aim of providing the collector with rigorous and transparent information, paying special attention to its cataloging, condition, and artistic context.
We work for both seasoned collectors and those who are just beginning to discover the world of art, offering—from accessible works to pieces of special historical, artistic, or decorative interest.
At ARTEMISA we understand each auction as an opportunity to discover, conserve, and give new life to works with history, connecting them with collectors around the world.
Translated by Google TranslateFollower of M. A. Koekkoek – Ducks by the Pond – Oil on Panel
Interesting and delicate oil painting on panel from the Dutch school, signed “M. A. Koekkoek” in the lower right corner, depicting an animalist scene with ducks and their ducklings by the shore of a pond, within a landscape of lush vegetation.
The work is catalogued as a “Follower of M. A. Koekkoek,” since it has not been possible to establish with certainty whether its author is Marinus Adrianus I Koekkoek (1807–1868), Marinus Adrianus II Koekkoek (1873–1944), or another painter stylistically related to the artistic tradition of this family.
Both artists belonged to the renowned Dutch Koekkoek family of painters, especially linked to landscape, depictions of nature, and animal painting.
The coincidence of initials and surname in the signature, together with the stylistic affinities of the composition, argues for a cautious attribution. For this reason, the painting is expressly offered as a work by a follower, without guaranteeing its direct authorship by either of the two artists mentioned.
Description and artistic analysis
The composition represents an intimate animalist scene with ducks and their ducklings by the shore of a pond, in a natural setting with abundant vegetation.
The treatment of the birds, the delicacy of the reflections on the water, and the depiction of the landscape reveal a sensitivity connected to the Dutch naturalist tradition.
The brushwork is meticulous, especially in the plumage and in the small details of the vegetation.
The color palette is dominated by greens, ochres, browns, and earthy tones, with light contrasts that add depth to the scene.
The small yellow ducklings introduce a striking touch of light and color within the composition.
The painting conveys a tranquil, intimate atmosphere, characteristic of numerous animal scenes developed within the Romantic and naturalist tradition of the Netherlands.
The Koekkoek family and the Dutch pictorial tradition
The Koekkoek family is one of the most renowned artistic dynasties in Dutch painting of the 19th and 20th centuries.
Its different generations produced a substantial body of work devoted to landscape, rural scenes, nature, and the representation of animals.
Marinus Adrianus I Koekkoek (1807–1868) was born in Middelburg and was the son of the painter Johannes Hermanus Koekkoek (1778–1851), as well as the brother of the famous landscape painter Barend Cornelis Koekkoek (1803–1862).
His work relates to the Dutch Romantic tradition, characterized by attention to landscape, vegetation, and atmospheric effects.
Marinus Adrianus II Koekkoek (1873–1944) belonged to a later generation of the same family and developed an artistic career especially linked to the representation of animals and natural landscapes.
Animal painting occupied a prominent place within this tradition, particularly in the representations of birds and small animals integrated into their natural surroundings.
The present composition shares thematic and stylistic affinities with this body of work, especially in its attention to birds, vegetation, and light effects.
These characteristics allow relating it to the pictorial universe of the Koekkoek family, although they do not by themselves constitute conclusive proof of authorship.
Signature and cataloguing
The work bears a signature in the lower right corner, reading:
“M. A. Koekkoek”
This signature matches, in initials and surname, the names of Marinus Adrianus I Koekkoek (1807–1868) and Marinus Adrianus II Koekkoek (1873–1944).
However, the definitive identification of the author has not been established.
For this reason, and in order to offer a prudent and transparent cataloguing, the painting is sold as a “Follower of M. A. Koekkoek.”
This designation does not imply a confirmed attribution to either of the two artists, nor does it constitute a guarantee of the authenticity of the signature or of the direct involvement of either of them.
Frame and presentation
The painting is presented with a substantial historicist frame, richly ornamented and gilded, which complements the traditional aesthetics of the composition.
The frame shows signs of age and wear, with small losses and defects visible in the photographs.
The frame is included as a courtesy, with no commercial value, and is not part of the painting’s monetary assessment.
Careful examination of the photographs is recommended to assess the features and condition of the whole.
Artwork characteristics
Cataloging: Follower of M. A. Koekkoek.
Signature: “M. A. Koekkoek,” in the lower right corner.
Art references: Marinus Adrianus I Koekkoek (1807–1868) and Marinus Adrianus II Koekkoek (1873–1944).
School: Dutch.
Period: Romantic and naturalist Dutch painting tradition; exact dating not established.
Technique: Oil on panel.
Theme: Animalist landscape with ducks and their ducklings by the water.
Style: Dutch Romanticism and naturalism.
Frame dimensions: Approximately 33 × 29 cm.
Provenance: European private collection.
Presentation: Framed.
Condition report
The work shows a condition consistent with its age.
Careful examination of the photographs, which form an integral part of the description, is recommended to assess its condition and the visible characteristics of the whole.
Shipping
The work will be carefully and professionally packed, using protective materials suitable to its characteristics.
Shipments outside the European Union may be subject to taxes, duties, import fees, clearance costs, and customs procedures, which will be the buyer’s responsibility.
Also, shipments to islands, insular territories, or remote zones as deemed by the transport companies may incur additional surcharges, to be borne by the buyer.
Seller's Story
At ARTEMISA we specialize in the selection and auction of artworks, antiques, and collectible items, combining experience, passion, and special care in the choosing and presentation of each piece.
Throughout our journey we have assembled a catalog of more than 10,000 works, spanning a wide variety of schools, styles, and periods, with particular attention to painting and European art. The pieces mainly come from private collections and other selected sources, which allows us to maintain a broad, diverse, and continually renewing offering.
Each work is studied and presented with the aim of providing the collector with rigorous and transparent information, paying special attention to its cataloging, condition, and artistic context.
We work for both seasoned collectors and those who are just beginning to discover the world of art, offering—from accessible works to pieces of special historical, artistic, or decorative interest.
At ARTEMISA we understand each auction as an opportunity to discover, conserve, and give new life to works with history, connecting them with collectors around the world.
Translated by Google TranslateDetails
Sold with frame
Yes
Sold by
Gallery
Attribution
Follower of
Artist
Marinus Adrianus I Koekkoek (1807–1868)
Title of artwork
Canards au bord de l’eau - NO RESERVE
Technique
Oil painting
Signature
Signed
Country of origin
Netherlands
Condition
Good condition
Height
29 cm
Width
33 cm
Depiction/theme
Animals
Period
19th century
Sold by
