Juan Carlos Rayas - Mirra






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Mirra is a 2026 marble sculpture by Juan Carlos Rayas (Spain), unique edition, hand-signed, with dimensions 14.5 cm wide, 48 cm high and 7 cm deep, weighing 7300 g, in beige contemporary style.
Description from the seller
Juan Carlos Rayas (Alicante, Spain) is a sculptor and holds a degree in Fine Arts from the San Carlos Faculty of Valencia, with training at the Prague School of Art and Design. His work has been selected and awarded in national and international competitions and is part of public and private collections. He is currently developing his work in collaboration with Claroa Gallery @claroagallery, a gallery that represents his work.
Instagram: @artearayas
MIRRA · Arbor Mundi
Arbor Mundi is a sculptural series that explores the relationship between the human being and the plant world through myths and traditions from different cultures. Each piece begins with a metamorphosis to address questions such as transformation, memory, and the continuity between body and nature.
In Ovid’s Metamorphoses, Myrrha, pursued and confronted with an existence she can no longer sustain, begs to leave behind her human condition. Her body is progressively enveloped by a tree until it disappears inside it. Yet, Myrrha remains: the resin that oozes from its bark continues to bear her name and is interpreted by Ovid as her tears.
In this sculpture of fossiliferous limestone, the face seems to be absorbed by a vegetal structure that envelops and transforms it. The honey and caramel tones of the stone also establish a material correspondence with the amber hues of myrrh resin.
The metamorphosis thus appears not as disappearance, but as another form of permanence: the body disappears, but matter preserves its memory.
Instagram: @artearayas
Juan Carlos Rayas (Alicante, Spain) is a sculptor and holds a degree in Fine Arts from the San Carlos Faculty of Valencia, with training at the Prague School of Art and Design. His work has been selected and awarded in national and international competitions and is part of public and private collections. He is currently developing his work in collaboration with Claroa Gallery @claroagallery, a gallery that represents his work.
Instagram: @artearayas
MIRRA · Arbor Mundi
Arbor Mundi is a sculptural series that explores the relationship between the human being and the plant world through myths and traditions from different cultures. Each piece begins with a metamorphosis to address questions such as transformation, memory, and the continuity between body and nature.
In Ovid’s Metamorphoses, Myrrha, pursued and confronted with an existence she can no longer sustain, begs to leave behind her human condition. Her body is progressively enveloped by a tree until it disappears inside it. Yet, Myrrha remains: the resin that oozes from its bark continues to bear her name and is interpreted by Ovid as her tears.
In this sculpture of fossiliferous limestone, the face seems to be absorbed by a vegetal structure that envelops and transforms it. The honey and caramel tones of the stone also establish a material correspondence with the amber hues of myrrh resin.
The metamorphosis thus appears not as disappearance, but as another form of permanence: the body disappears, but matter preserves its memory.
Instagram: @artearayas
