ULIANO LUCAS - Londra vetrine con vestiti Indiani






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Uliano Lucas, Londra vetrine con vestiti Indiani, a vintage gelatin-silver print measuring 30 × 24 cm, signed with a stamp, in the documentary photography genre and sold by Galleria, in excellent condition.
Description from the seller
Interesting photograph by Uliano Lucas, a great reporter of the 1970s, including the white border format 30 x 24 cm, the inside photo 15 x 22 cm. Glossy print, vintage black-and-white in good condition, no tears and perfect corners, prints for collection. Author's stamp on the back.
Title of the photograph, London: a display window for Indian clothing.
Uliano Lucas (Milan 1942), from a proletarian family, from a very young age began his training by frequenting the historic venues of Brera where he had the opportunity to engage with artists, photographers and intellectuals, exchange experiences. Always oriented toward social themes, with his shots he masterfully described the Milanese popular and social fabric, student protests, the years of terrorism, the world of work and its transformations. He collaborated, as a freelance reporter, with the most important Italian newspapers. As a correspondent he followed and documented the process of decolonization in Africa, the complex reality of the Middle East, the dissolution of the former Yugoslavia, and the life of migrants in Europe.
Interesting photograph by Uliano Lucas, a great reporter of the 1970s, including the white border format 30 x 24 cm, the inside photo 15 x 22 cm. Glossy print, vintage black-and-white in good condition, no tears and perfect corners, prints for collection. Author's stamp on the back.
Title of the photograph, London: a display window for Indian clothing.
Uliano Lucas (Milan 1942), from a proletarian family, from a very young age began his training by frequenting the historic venues of Brera where he had the opportunity to engage with artists, photographers and intellectuals, exchange experiences. Always oriented toward social themes, with his shots he masterfully described the Milanese popular and social fabric, student protests, the years of terrorism, the world of work and its transformations. He collaborated, as a freelance reporter, with the most important Italian newspapers. As a correspondent he followed and documented the process of decolonization in Africa, the complex reality of the Middle East, the dissolution of the former Yugoslavia, and the life of migrants in Europe.
