Southern European Master (XVI) - The Circumcision of Christ





€1,000 | ||
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€370 | ||
€350 | ||
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The Circumcision of Christ, an oil painting on panel by a Southern European Master (circa 1580) from the 16th century in Europe, depicts a religious scene and measures 103 cm by 57 cm; sold with a giltwood frame, not signed, in fair condition.
Description from the seller
The Circumcision of Christ
Southern European Master, c. 1580
Oil on Panel • Period Giltwood Frame
103 x 57 cm (+ frame)
This late 16th-century work balances devotional intimacy with the formal, theatrical staging characteristic of Late Renaissance and Mannerist masters. The composition features the Christ Child at the epicenter upon a draped altar table, as a high priest in an intricately brocade cope and mitre performs the sacred rite.
The scene is witnessed by the Virgin Mary in a traditional blue mantle alongside Saint Anne, framed by a gathering of venerable elders. Two sacrificial doves rest upon the white linen, symbolizing the traditional presentation and purification rites.
The artwork is well-preserved, exhibiting stable craquelure and deep color saturation typical of seasoned period panels. While it shows some natural wear and visible signs of age consistent with its late 16th-century origin, the structural integrity remains sound. It is housed in a substantial, carved giltwood frame that enhances its presentation.
This piece offers a rare opportunity for discerning private collectors, institutions, or estates to acquire a significant work of late 16th-century sacred art.
The Circumcision of Christ
Southern European Master, c. 1580
Oil on Panel • Period Giltwood Frame
103 x 57 cm (+ frame)
This late 16th-century work balances devotional intimacy with the formal, theatrical staging characteristic of Late Renaissance and Mannerist masters. The composition features the Christ Child at the epicenter upon a draped altar table, as a high priest in an intricately brocade cope and mitre performs the sacred rite.
The scene is witnessed by the Virgin Mary in a traditional blue mantle alongside Saint Anne, framed by a gathering of venerable elders. Two sacrificial doves rest upon the white linen, symbolizing the traditional presentation and purification rites.
The artwork is well-preserved, exhibiting stable craquelure and deep color saturation typical of seasoned period panels. While it shows some natural wear and visible signs of age consistent with its late 16th-century origin, the structural integrity remains sound. It is housed in a substantial, carved giltwood frame that enhances its presentation.
This piece offers a rare opportunity for discerning private collectors, institutions, or estates to acquire a significant work of late 16th-century sacred art.

