Hubert Duprilot - 2026 acrylique sur papier (21x29,7cm)





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Hubert Duprilot, 2026 acrylic on paper (21 x 29.7 cm), a portrait titled 2026 acrylique sur papier (21x29,7cm), original edition, signed at the bottom right and on the back, France, Expressionism, 29.7 x 21 cm, excellent condition.
Description from the seller
Hubert Duprilot was born in Tours (FRANCE) in 1975. 2026, acrylic on paper (21x29.7 cm) "signed bottom right and on the back"
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for over thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a sliver of hope in a universe that is sometimes dark and uncertain. His work questions our condition, our fears, but also our capacity to create connections and to reinvent ourselves.
For several years, believing that traditional exhibitions require a lot of time and energy to reach an audience that is often limited and initiated, Hubert Duprilot has chosen to invest in the urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to place them at the heart of the city.
On the walls, these silent presences meet a broader, more diverse public, in a direct and spontaneous relationship. The public space thus becomes an open-air gallery where art enters daily life, provoking questions, emotions, and encounters.
Hubert Duprilot was born in Tours (FRANCE) in 1975. 2026, acrylic on paper (21x29.7 cm) "signed bottom right and on the back"
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for over thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a sliver of hope in a universe that is sometimes dark and uncertain. His work questions our condition, our fears, but also our capacity to create connections and to reinvent ourselves.
For several years, believing that traditional exhibitions require a lot of time and energy to reach an audience that is often limited and initiated, Hubert Duprilot has chosen to invest in the urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to place them at the heart of the city.
On the walls, these silent presences meet a broader, more diverse public, in a direct and spontaneous relationship. The public space thus becomes an open-air gallery where art enters daily life, provoking questions, emotions, and encounters.

