Hubert Duprilot - (2026) acrylique sur papier 65x50cm





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Hubert Duprilot, (2026) acrylic on paper 65×50 cm, original edition, signed, 65 cm by 50 cm, France.
Description from the seller
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on paper 300g (50x65 cm) signed bottom right and on the back.
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a thread of hope in a universe that is sometimes dark and uncertain. His work questions our condition, our fears, but also our capacity to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions mobilize a lot of time and energy to reach an audience often limited and insider, Hubert Duprilot has chosen to invest in urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to be inscribed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space then becomes an open-air gallery where art invites itself into daily life, prompting questions, emotions and encounters.
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on paper 300g (50x65 cm) signed bottom right and on the back.
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a thread of hope in a universe that is sometimes dark and uncertain. His work questions our condition, our fears, but also our capacity to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions mobilize a lot of time and energy to reach an audience often limited and insider, Hubert Duprilot has chosen to invest in urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to be inscribed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space then becomes an open-air gallery where art invites itself into daily life, prompting questions, emotions and encounters.

