A. De Luca (1979) - La grazia delle rose






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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La grazia delle rose, a 2020+ oil on canvas portrait by Italian artist A. De Luca (1979), 40 × 30 cm, hand-signed, original, in good condition, sold by Agente.
Description from the seller
Title: "The Grace of Roses"
Author: A. De Luca
Medium: Oil on canvas
Dimensions: 40×30 cm
A ballerina emerges from a dark background, captured in a pose that concentrates momentum, balance, and delicacy. The raised arm draws an arc above the head, while the other extends toward the bent leg, creating a wide and harmonious movement. The tilted face and the lowered gaze accompany the gesture with an absorbed expression, as if the dance were born from inner listening.
The costume, adorned with roses in shades of pink and cream, occupies the center of the composition with a refined alternation of folds, ribbons, and rays of light. The fitted bodice and the billowy sleeves find continuity in the open skirt, whose lightness contrasts with the deep brown of the background. Light brushes the arms, the neck, and the face, highlighting the shaping of the figure and the precision of the pointe posture.
A. De Luca renders the movement through a suspended moment: a luminous presence in which the discipline of ballet meets the romantic sensitivity of the floral details.
Title: "The Grace of Roses"
Author: A. De Luca
Medium: Oil on canvas
Dimensions: 40×30 cm
A ballerina emerges from a dark background, captured in a pose that concentrates momentum, balance, and delicacy. The raised arm draws an arc above the head, while the other extends toward the bent leg, creating a wide and harmonious movement. The tilted face and the lowered gaze accompany the gesture with an absorbed expression, as if the dance were born from inner listening.
The costume, adorned with roses in shades of pink and cream, occupies the center of the composition with a refined alternation of folds, ribbons, and rays of light. The fitted bodice and the billowy sleeves find continuity in the open skirt, whose lightness contrasts with the deep brown of the background. Light brushes the arms, the neck, and the face, highlighting the shaping of the figure and the precision of the pointe posture.
A. De Luca renders the movement through a suspended moment: a luminous presence in which the discipline of ballet meets the romantic sensitivity of the floral details.
