Pietro Santi Bartoli [Raffaello] - Parerga, atque ornamenta, ex Raphaelis Sanctij prototypis, a Ioanne Nannio Utinensi, in Vaticani - 1675
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Pietro Santi Bartoli [Raffaello] is the author/illustrator of Parerga, atque ornamenta, ex Raphaelis Sanctij prototypis, a Ioanne Nannio Utinensi, in Vaticani, the first Latin edition published in Rome by Giovanni Giacomo de Rossi around 1675–1677, bound in parchment, with 42 pages, measuring 25.5 x 36.5 cm, in arte subject, a posthumous binding and a single-volume work missing the final plate (no. 43) but overall in good condition with minor foxing on some plates and small restored margins.
Description from the seller
This 17th-century historical work collects the famous engravings by Pietro Santi Bartoli, inspired by the stuccoes and decorations created by Giovanni da Udine based on Raphael, in the loggias of the Vatican Palace, originally published under the title “em Parerga, atque ornamenta, ex Raphaelis Sanctij prototypis, a Ioanne Nannio Utinensi, in Vaticani Palatij Xystis...”
25,5 x 36,5 x 1,5 cm
Published in Rome around 1675–1677 under the direction of the publisher Giovanni Giacomo de Rossi and dedicated to Cardinal Camillo Massimo.
This is the first edition of this work.
Later binding.
The copy is missing only the last plate (no. 43).
The general condition is good; note small stains on some plates and small gaps restored on the white margins.
Seller's Story
This 17th-century historical work collects the famous engravings by Pietro Santi Bartoli, inspired by the stuccoes and decorations created by Giovanni da Udine based on Raphael, in the loggias of the Vatican Palace, originally published under the title “em Parerga, atque ornamenta, ex Raphaelis Sanctij prototypis, a Ioanne Nannio Utinensi, in Vaticani Palatij Xystis...”
25,5 x 36,5 x 1,5 cm
Published in Rome around 1675–1677 under the direction of the publisher Giovanni Giacomo de Rossi and dedicated to Cardinal Camillo Massimo.
This is the first edition of this work.
Later binding.
The copy is missing only the last plate (no. 43).
The general condition is good; note small stains on some plates and small gaps restored on the white margins.
