TRACY CANO GARCÍA - BOSQUE TOCADO A GUITARRA / XL

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Côme De Drouas
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TRACY CANO GARCÍA presents BOSQUE TOCADO A GUITARRA / XL, an original 2026 acrylic painting on canvas, 100 by 70 cm, from the GEOMETRÍA SONORA series, depicting nature and signed by hand with a varnish finish.

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Description from the seller

Unique work
Series: GEOMETRY OF SOUND
Title: FOREST TOUCHED BY GUITAR / XL
Technique: acrylic / canvas
Finish with varnish
Year: 2026 / October

FOREST TOUCHED BY GUITAR approaches the meeting between music and landscape through a composition that combines geometric shapes, color planes, and figurative elements. The figure of a musician playing the guitar is integrated into a fragmented space, built with vertical lines, rectangular surfaces, and curved forms that evoke the structure of a landscape. The tones of greens, grays, ochres, and pinks create contrasts and overlays that articulate a scene situated between the natural, the architectural, and the abstract.

The musician introduces a visual rhythm that seems to extend throughout the composition, as if the shapes and colors respond to the guitar notes. References to the forest appear transformed into geometric structures and textures that suggest vegetation, soil, roots, and natural surfaces without depicting them literally. The work thus offers a visual interpretation of music, where the act of playing becomes a principle of space organization and establishes a dialogue between sound, landscape, and geometry.

The GEOMETRY OF SOUND series explores the relationship between music, space, and visual composition through musical instruments, landscapes, and scenes reinterpreted through geometric shapes, lines, and planes. The works start from recognizable elements to transform them into compositions where the figurative and the abstract coexist within the same space.

Musical instruments act as connecting elements between image and sound, while the surrounding landscapes and scenes acquire a more abstract dimension. The lines, curves, repetitions, and different compositional structures generate a visual rhythm reminiscent of the organization and movement typical of a musical piece.

GEOMETRY OF SOUND thus offers a visual interpretation of music, where rhythm, proportion, and balance build spaces that can be at once recognizable and imagined. Each work develops this relationship from a different perspective, establishing a dialogue between sound, figure, landscape, geometry, and abstraction.

AUTHENTICITY
Each work is hand-signed on the back of the canvas, keeping the painted surface clean and without altering its visual composition. The signature includes the title of the work and the series, the year and month of creation, dimensions, technique, and the name and signature of TRACY CANO GARCÍA.
The work is delivered with an Authenticity Certificate (COA) confirming authorship and guaranteeing its authenticity.

NOTE ABOUT IMAGES
Photographs have been taken aiming to represent the work with maximum fidelity. The renders showing the work in different spaces are AI Visualizations. Nevertheless, small differences in color, contrast, or tonal value may be observed compared to the original, due to lighting conditions during shooting and the settings and characteristics of each screen. These variations do not affect the actual appearance of the work.

SHIPPING INFORMATION
The work will be carefully shipped rolled in a tube, ensuring proper protection during transport. This packaging method also helps reduce the overall packaging volume and enables safer and more efficient shipping. The tube has been reused from a local textile shop, contributing to a more sustainable packaging solution. The canvas includes an additional margin of about 5 cm on each side to facilitate later stretching or mounting on an easel. This operation may be carried out by the buyer or by a professional specialist.

Unique work
Series: GEOMETRY OF SOUND
Title: FOREST TOUCHED BY GUITAR / XL
Technique: acrylic / canvas
Finish with varnish
Year: 2026 / October

FOREST TOUCHED BY GUITAR approaches the meeting between music and landscape through a composition that combines geometric shapes, color planes, and figurative elements. The figure of a musician playing the guitar is integrated into a fragmented space, built with vertical lines, rectangular surfaces, and curved forms that evoke the structure of a landscape. The tones of greens, grays, ochres, and pinks create contrasts and overlays that articulate a scene situated between the natural, the architectural, and the abstract.

The musician introduces a visual rhythm that seems to extend throughout the composition, as if the shapes and colors respond to the guitar notes. References to the forest appear transformed into geometric structures and textures that suggest vegetation, soil, roots, and natural surfaces without depicting them literally. The work thus offers a visual interpretation of music, where the act of playing becomes a principle of space organization and establishes a dialogue between sound, landscape, and geometry.

The GEOMETRY OF SOUND series explores the relationship between music, space, and visual composition through musical instruments, landscapes, and scenes reinterpreted through geometric shapes, lines, and planes. The works start from recognizable elements to transform them into compositions where the figurative and the abstract coexist within the same space.

Musical instruments act as connecting elements between image and sound, while the surrounding landscapes and scenes acquire a more abstract dimension. The lines, curves, repetitions, and different compositional structures generate a visual rhythm reminiscent of the organization and movement typical of a musical piece.

GEOMETRY OF SOUND thus offers a visual interpretation of music, where rhythm, proportion, and balance build spaces that can be at once recognizable and imagined. Each work develops this relationship from a different perspective, establishing a dialogue between sound, figure, landscape, geometry, and abstraction.

AUTHENTICITY
Each work is hand-signed on the back of the canvas, keeping the painted surface clean and without altering its visual composition. The signature includes the title of the work and the series, the year and month of creation, dimensions, technique, and the name and signature of TRACY CANO GARCÍA.
The work is delivered with an Authenticity Certificate (COA) confirming authorship and guaranteeing its authenticity.

NOTE ABOUT IMAGES
Photographs have been taken aiming to represent the work with maximum fidelity. The renders showing the work in different spaces are AI Visualizations. Nevertheless, small differences in color, contrast, or tonal value may be observed compared to the original, due to lighting conditions during shooting and the settings and characteristics of each screen. These variations do not affect the actual appearance of the work.

SHIPPING INFORMATION
The work will be carefully shipped rolled in a tube, ensuring proper protection during transport. This packaging method also helps reduce the overall packaging volume and enables safer and more efficient shipping. The tube has been reused from a local textile shop, contributing to a more sustainable packaging solution. The canvas includes an additional margin of about 5 cm on each side to facilitate later stretching or mounting on an easel. This operation may be carried out by the buyer or by a professional specialist.

Details

Edition
Original
Sold by
Direct from the artist
Sold with frame
No
Artist
TRACY CANO GARCÍA
Technique
Acrylic painting
Title of artwork
BOSQUE TOCADO A GUITARRA / XL
Signature
Hand signed, Signed
Country of origin
Spain
Year
2026
Colour
Beige, Black, Cream, Green, Grey, Orange, White
Condition
Excellent condition
Height
100 cm
Width
70 cm
Weight
0.5 kg
Depiction/theme
Nature
Style
Contemporary
Period
2020+
SpainVerified
Private

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