Hubert Duprilot - "La Couronne et le pinceau" 2026 acrylique sur toile 100x200 cm





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Hubert Duprilot, 'La Couronne et le pinceau' (2026), acrylic on canvas, 100 × 200 cm, original edition, signed at the bottom right and on the back, France.
Description from the seller
Hubert Duprilot was born in Tours (France) in 1975.
"The Crown and the Brush" 2026, Acrylic on canvas (100x200 cm) "signed bottom right and on the back"
The work will be shipped rolled with a certificate of authenticity
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a shard of hope in a universe often dark and uncertain. His work questions our condition, our fears, but also our capacity to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions mobilize a great deal of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest in the urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to be inscribed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space becomes an open-air gallery where art invites itself into daily life, raising questions, emotions and encounters.
Hubert Duprilot was born in Tours (France) in 1975.
"The Crown and the Brush" 2026, Acrylic on canvas (100x200 cm) "signed bottom right and on the back"
The work will be shipped rolled with a certificate of authenticity
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a shard of hope in a universe often dark and uncertain. His work questions our condition, our fears, but also our capacity to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions mobilize a great deal of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest in the urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to be inscribed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space becomes an open-air gallery where art invites itself into daily life, raising questions, emotions and encounters.

