Santicri (1992) - Fucking World (No Reserve)






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Santicri (1992) created in 2020 the resin sculpture Fucking World (No Reserve), hand-signed, open edition, measuring 37 × 12 × 12 cm, made in Italy.
Description from the seller
Santicri participated in numerous internationally prominent art exhibitions. Among the most significant, in 2022 he exhibited his works at the prestigious Palazzo Grillo in Genoa, and in 2023 he was present at the International Contemporary Furniture Fair (ICFF) in New York, thus expanding his visibility in both national and international contexts.
Santicri-artist
Technique: RESIN and Marble Powder
Measurements: H37 x L12 x P12 cm
Condition: new
Certificate of authenticity - hand-signed
Edition: Open edition
Limited edition SOLD OUT
The sculpture is a combination of symbolism and irony that captures the viewer's attention and pushes them to reflect on various levels of meaning.
First of all, the gesture of the raised hand with the middle finger raised is universally recognized as a sign of challenge or rebellion, a bold way to send a strong and unequivocal message. Here, this gesture is amplified by the fact that the hand is supporting the world itself, suggesting a kind of rejection or critique of the world as it is. It is a visual interpretation of the frustration or dissent towards aspects of our contemporary world.
The use of this sculpture to represent the world itself, with the planet Earth resting on the middle finger, adds another layer of meaning. It could be interpreted as a critique of global challenges and socio-political tensions we face, or as a cry of alarm about the fragility of our planet. The hand, in this context, assumes a role of responsibility and power, almost as if the artist is saying that the solution to these problems lies in our hands.
In its audacity and provocation, this sculpture offers a prompt for discussion and reflection on the contemporary world, the challenges we face and our role in shaping it. It is a work of art that can generate a wide range of reactions and discussions, just as many contemporary artworks seek to do.
Born in 1992 in Macerata, Marche, the Italian artist pursued a path that between studies of Surveying and Architecture led him to collaborate with an artisan craftsman of resin sculptures. There arose the growing need to find himself and unleash his creativity.
His works are sold worldwide, collaborating with galleries in Italy and Europe.
His art is widely appreciated and cannot be missing among collectors of street art paintings and sculptures, pop art, contemporary art.
"It is never easy to classify one's art; I try to convey what my eyes see, my way of seeing what surrounds me, and I rework it with a design that blends well with modern times: impactful and memorable."
Seller's Story
Santicri participated in numerous internationally prominent art exhibitions. Among the most significant, in 2022 he exhibited his works at the prestigious Palazzo Grillo in Genoa, and in 2023 he was present at the International Contemporary Furniture Fair (ICFF) in New York, thus expanding his visibility in both national and international contexts.
Santicri-artist
Technique: RESIN and Marble Powder
Measurements: H37 x L12 x P12 cm
Condition: new
Certificate of authenticity - hand-signed
Edition: Open edition
Limited edition SOLD OUT
The sculpture is a combination of symbolism and irony that captures the viewer's attention and pushes them to reflect on various levels of meaning.
First of all, the gesture of the raised hand with the middle finger raised is universally recognized as a sign of challenge or rebellion, a bold way to send a strong and unequivocal message. Here, this gesture is amplified by the fact that the hand is supporting the world itself, suggesting a kind of rejection or critique of the world as it is. It is a visual interpretation of the frustration or dissent towards aspects of our contemporary world.
The use of this sculpture to represent the world itself, with the planet Earth resting on the middle finger, adds another layer of meaning. It could be interpreted as a critique of global challenges and socio-political tensions we face, or as a cry of alarm about the fragility of our planet. The hand, in this context, assumes a role of responsibility and power, almost as if the artist is saying that the solution to these problems lies in our hands.
In its audacity and provocation, this sculpture offers a prompt for discussion and reflection on the contemporary world, the challenges we face and our role in shaping it. It is a work of art that can generate a wide range of reactions and discussions, just as many contemporary artworks seek to do.
Born in 1992 in Macerata, Marche, the Italian artist pursued a path that between studies of Surveying and Architecture led him to collaborate with an artisan craftsman of resin sculptures. There arose the growing need to find himself and unleash his creativity.
His works are sold worldwide, collaborating with galleries in Italy and Europe.
His art is widely appreciated and cannot be missing among collectors of street art paintings and sculptures, pop art, contemporary art.
"It is never easy to classify one's art; I try to convey what my eyes see, my way of seeing what surrounds me, and I rework it with a design that blends well with modern times: impactful and memorable."
