Ella Suárez - La casa entre los campos - XL (no reserve)

The House Between the Fields
from the series Inhabited Landscapes

The series Inhabited Landscapes explores the relationship between living beings and the landscape as an inseparable unity. People, animals, houses, towns, and small settlements appear among mountains, forests, lakes, and coastal environments, not as isolated elements, but as presences that form part of the territory and reveal different ways of inhabiting it. Each work builds an imagined place that evokes memory, refuge, and belonging, inviting the viewer to wander through landscapes that exist more in experience and memory than in a specific place.

The compositions are organized through a sequence of planes that guide the gaze across the landscape, establishing a continuous visual rhythm between the terrain, vegetation, water, and the different forms of life. In some works, a construction serves as a reference point; in others, it is the animals who roam, cross, or remain in the territory, introducing movement, scale, and a silent narrative. Forms are simplified and connected by fluid lines that unify space and generate a sense of balance among all its elements.

Color constitutes the main constructive resource of the series. Each plane has its own chromatic identity that dialogues with the others to create depth, atmosphere, and light. The coexistence of warm and cool tones transforms the landscape into a pictorial interpretation that transcends literal representation and turns the territory into a space of contemplation.

In Inhabited Landscapes, inhabiting does not mean only building or staying, but also wandering, crossing, and becoming part of an environment. Human, animal, or architectural presence is integrated organically into nature, giving rise to timeless scenes where territory and life participate in the same visual structure. Each work thus proposes a reflection on the landscape as a shared space of calm, memory, and identity, constructed through the rhythm of forms, light, and color.

Authenticity of the work:
Each piece is hand-signed on the back of the canvas, guaranteeing its authenticity and preserving the visual purity of the painted surface. The signature includes the title of the work, the year of realization, and Ella Suárez’s signature. The piece is accompanied by a Certificate of Authenticity (COA), confirming its origin and authorship.

Clarifying note:
Reference images may show slight tonal variations from the original work due to the lighting of spaces, which can affect contrast or color temperature, as well as differences between viewing devices. The photographs have been made with the greatest possible care.

Shipping details:
The work will be shipped rolled in a protective tube, a method that ensures its safety during transport and offers a more economical and sustainable option. The canvas includes an additional 5 cm margin on each side to facilitate re-stretching, which can be carried out by the buyer or by a professional.