Wall decoration - Netherlands - 2026-87 square

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Maurizio Buquicchio
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Selected by Maurizio Buquicchio

Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.

Gallery Estimate  € 330 - € 400
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Sculpture by Hans Meeuwsen, titled 2026-87 vierkant, made in porcelain with a flax porcelain from Scarva, oak oxidering fired at 1240 C, measuring 140 mm high, 140 mm wide and 87 mm deep, originating from the Netherlands and dated to the 2026 period, in excellent condition and partly glazed with two signatures including Raku and Yakimono in Japanese characters.

AI-assisted summary

Description from the seller

This artwork is part of a series in which the artist investigates the deformation of porcelain during the firing process. The originally straight strips of the square have warped due to the heat of firing.

The artwork is made of porcelain, oxidation-fired at 1240°C. The wall thickness is about one millimeter, which results in some transparency in the porcelain. The work is partially glazed with a transparent glaze.
The piece is signed with two applications: the first bearing the given name and the first letter of the surname, and the second bearing the Japanese characters Raku and Yakimono.

Seller's Story

Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells. A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Center in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado. During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists' own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos. Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
Translated by Google Translate

This artwork is part of a series in which the artist investigates the deformation of porcelain during the firing process. The originally straight strips of the square have warped due to the heat of firing.

The artwork is made of porcelain, oxidation-fired at 1240°C. The wall thickness is about one millimeter, which results in some transparency in the porcelain. The work is partially glazed with a transparent glaze.
The piece is signed with two applications: the first bearing the given name and the first letter of the surname, and the second bearing the Japanese characters Raku and Yakimono.

Seller's Story

Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells. A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Center in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado. During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists' own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos. Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
Translated by Google Translate

Details

Era
After 2000
Style subtype
Minimalist
Porcelain type
Scarva flax porcelain.
Specific region of origin
Breda
Title additional information
2026-87 square
Material
Porcelain
Designer/artist/maker
Hans Meeuwsen
Country of origin
Netherlands
Style
Contemporary
Colour
White
Condition
Excellent condition: barely used with minimal signs of wear
Height
140 mm
Width
140 mm
Depth
87 mm
Estimated period
2026
The NetherlandsVerified
752
Objects sold
100%
pro

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