G. Abbott - George Cruikshank's TableBook - 1845





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George Cruikshank's TableBook by G. Abbott is an 1845 first illustrated edition in leather, with 284 pages and tipped-in plates.
Description from the seller
George Cruikshank’s Table-Book is a masterwork of Victorian print culture, first published in 1845 by the Punch Office in London. This volume represents a collaboration between the caricaturist and illustrator George Cruikshank and the humorist Gilbert Abbott à Beckett, a founding staff writer for Punch magazine who served as the editor. Conceived as a "table-book"—a 19th-century format designed to be displayed on drawing room tables for casual browsing—the work was issued to provide social commentary, satire, and entertainment.
The literary content includes a mix of essays, poetry, and humor typical of mid-19th-century British satire, featuring contributions from contemporary writers including William Makepeace Thackeray under his pseudonym, Michael Angelo Titmarsh. The visual component of the work consists of 116 woodcut illustrations integrated into the text and 11 (of the original 12) full-page steel-plate etchings executed by Cruikshank, including famous plates such as "Heads of the Table". "The Folly of Crime" and "The Lion of the Party". Initially published in 12 monthly parts from January to December 1845, the collected work serves as a primary example of early Victorian comedic media and print culture.
First Edition. London: Published at the Punch Office, MDCCCXLV (1845).
Large octavo. pp. [iii]-viii, 284
Marbled endpapers. 24 x 17 cm
Eleven steel plates (of 12) and 116 wood engravings. List of Illustrations in front.
Splendidly bound in decorated Morocco leather with a gold gilt page block.
An attractive, structurally sound example of this scarce Victorian illustrated work. The volume retains a firm, intact spine and a stable, secure binding. The decorated leather covers exhibit minor surface marking and rubbing consistent with age and shelf wear; the corners are lightly bumped with minor softening. Internally, the text block remains clear, crisp, and fully legible, showing only the typical light foxing characteristic of the period. Notable defects include a tear and minor paper loss to the margins of the first two leaves and page 261 (as detailed in the accompanying photographs). Overall, a highly presentable copy possessing remarkable shelf appeal.
George Cruikshank’s Table-Book is a masterwork of Victorian print culture, first published in 1845 by the Punch Office in London. This volume represents a collaboration between the caricaturist and illustrator George Cruikshank and the humorist Gilbert Abbott à Beckett, a founding staff writer for Punch magazine who served as the editor. Conceived as a "table-book"—a 19th-century format designed to be displayed on drawing room tables for casual browsing—the work was issued to provide social commentary, satire, and entertainment.
The literary content includes a mix of essays, poetry, and humor typical of mid-19th-century British satire, featuring contributions from contemporary writers including William Makepeace Thackeray under his pseudonym, Michael Angelo Titmarsh. The visual component of the work consists of 116 woodcut illustrations integrated into the text and 11 (of the original 12) full-page steel-plate etchings executed by Cruikshank, including famous plates such as "Heads of the Table". "The Folly of Crime" and "The Lion of the Party". Initially published in 12 monthly parts from January to December 1845, the collected work serves as a primary example of early Victorian comedic media and print culture.
First Edition. London: Published at the Punch Office, MDCCCXLV (1845).
Large octavo. pp. [iii]-viii, 284
Marbled endpapers. 24 x 17 cm
Eleven steel plates (of 12) and 116 wood engravings. List of Illustrations in front.
Splendidly bound in decorated Morocco leather with a gold gilt page block.
An attractive, structurally sound example of this scarce Victorian illustrated work. The volume retains a firm, intact spine and a stable, secure binding. The decorated leather covers exhibit minor surface marking and rubbing consistent with age and shelf wear; the corners are lightly bumped with minor softening. Internally, the text block remains clear, crisp, and fully legible, showing only the typical light foxing characteristic of the period. Notable defects include a tear and minor paper loss to the margins of the first two leaves and page 261 (as detailed in the accompanying photographs). Overall, a highly presentable copy possessing remarkable shelf appeal.

